Stars: Jason Bateman, Eddie Marsan, Charlize Theron, Will Smith

Director: Peter Berg

Summary: Boasting a lack of motivation, a week's worth of stubble, and the ability to fly, Hancock struggles with his superhero status even though his talents are needed.

Peter Berg (THE KINGDOM, FRIDAY NIGHT LIGHTS) directs this story of a reluctant superhero, John Hancock (Will Smith). Like the best superheroes, Hancock can fly, is bulletproof, and has insurmountable strength. He uses these gifts to fight crime in Los Angeles and save people in distress. Unfortunately, he is also a drunk who leaves a trail of costly destruction behind during his lifesaving pursuits, and his constant sarcasm fails to win him friends. But after Hancock randomly saves his life, public relations executive Ray Embrey (Jason Bateman) decides to give him a makeover and help the superhero change his image so that the police and citizens of Los Angeles will realize how much they need their seemingly inappropriate hero. All the while, Ray's wife, Mary (Charlize Theron)--who seems to simultaneously have a strange connection and aversion to Hancock--worries that her do-gooder husband will end up disappointed by Hancock's antics.


The special effects are quite impressive, as Hancock flies through Los Angeles crashing into buildings, bursting through freeway signs, and flipping automobiles around as if they were wet noodles. Smith evokes a depth and warmth in Hancock; even when he's unpleasant and anti-social, it's clear that there is more to him. Bateman is well cast as a man who really does want to change the world for the better. And Theron is quite touching in her role as a wife to Ray, a mother to Aaron, and ultimately a saviour to Hancock.

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Hancock turns the standard superhero movie inside-out. The titular character, played by Will Smith, can fly, has super strength and is invulnerable. But he's also a sloppy, arrogant alcoholic who causes millions of dollars in property damage whenever he bothers to fight crime. When he saves the life of a PR agent named Ray (Jason Bateman, Arrested Development), Ray decides to improve Hancock's image--starting by having Hancock surrender himself to the authorities and go to prison for his lawless behaviour. The idea is that once he's in prison, the crime rate will go up and people will start realising Hancock might be of value after all. This is only the first act of Hancock though--from there, the film takes several surprising turns that shouldn't be revealed. Hancock isn't a great movie, but it is an extremely entertaining one. The script, which holds together far better than most superhero movies, has a propulsive plot, good dialogue, some compassion for its characters, and even an actual idea or two. The spectacular action at least gestures towards obeying the laws of physics, which actually makes the special effects more vivid. The three leads (Smith, Bateman, and Charlize Theron as Ray's wife, Mary) deftly balance the movie's mixture of comedy, action, and drama. All in all, a smart subversive twist on a genre that all too often takes itself all too seriously. --Bret Fetzer

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region B
Special Features:	Extended and original theatrical versions of the film, Extended version including previously unseen footage, Home Life featurette, Bumps and Bruises featurette, Superhumans: The Making of HANCOCK, Seeing the Future featurette, Suiting Up featurette, Building A B
Year:	2008
Release Date:	December 1, 2008
Runtime:	98 minutes
Certification:
Catalogue Number:	S B R 47152
Keywords:	Action, English, Comedy, Hancock, Adventure
Genre:	Action/Adventure