Stars: Robert Carlyle, Imogen Poots, Mackintosh Muggleton, Catherine McCormack, Rose Byrne, Jeremy Renner, Harold Perrineau, Idris Elba

Director: Juan Carlos Fresnadillo

Summary:

Danny Boyle's 2003 hit 28 DAYS LATER receives the sequel treatment in 28 WEEKS LATER. Few elements from the first film remain--actor Cillian Murphy doesn't return, and Boyle and screenwriter/novelist Alex Garland take producer credits this time out. In their places step director/co-writer Juan Carlos Fresnadillo (INTACTO) and actor Robert Carlyle (TRAINSPOTTING), who bring the original story to its next logical step. The zombies (again referred to as ‘the infected’) from the first film have died out and England is ready for repopulation. The American military are slowly bringing British citizens back to London, where a heavily guarded community is picking up the pieces and trying to return to normal life. Carlyle plays Don, a man who has lost his wife but is reunited with his children, Andy (Mackintosh Muggleton) and Tammy (Imogen Poots), near the start of Fresnadillo's film. The two kids soon escape from the heavily guarded community, go off searching for their childhood home, and discover that mum might not be quite as dead as they originally thought. Chaos follows, with the sadistic military and the forlorn survivors battling both each other and ‘the infected.’
Fresnadillo apes much of Boyle's style from the original film, shooting in rapidly edited sequences that cause plenty of blink-and-you'll-miss-it moments. A pounding soundtrack helps enliven the scenes with ‘the infected’, and an abundance of swooping aerial shots highlight the desolate London landscape. A few minor sub-plots emerge, Fresnadillo offers sly commentary on the military's trigger-happy tendencies, and the film ends up somewhere in between zombie fare such as George A. Romero's LAND OF THE DEAD and dystopian visions of the future such as Alfonso Cuaron's CHILDREN OF MEN.

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Contains 28 Days Later and the sequel 28 Weeks Later

28 Days Later--Anti-vivisection activists make a very bad judgement call and release an experimental monkey infected with "rage". 28 Days Later..., as the title has it, bicycle messenger Cillian Murphy wakes up from a post-traffic accident coma in a deserted London hospital, ventures out to find the city depopulated and the few remaining normal people doing everything to avoid the jittery, savage, zombie-like "infecteds" who attack on sight. Our bewildered hero has to adjust to the loss of his family and the entire world, but hooks up with several others--including a tough black woman (Naomie Harris) and a likable London cabbie (Brendan Gleeson)--on a perilous trip northwards, to seek refuge at army officer Christopher Eccleston's fortified retreat. However, even if they survive the plague, the future of humanity is still in doubt. Directed by Danny Boyle and scripted by novelist Alex Garland, this is a terrific SF/horror hybrid, evoking American and Italian zombie movies but also the very British end-of-the-world tradition of John Wyndham (Day of the Triffids) and Survivors. Shot on digital video, which gives the devastated cityscapes a closed-circuit-camera realism, this grips from the first, with its understandably extreme performances, its terrifyingly swift monster attacks and its underlying melancholy. Deliberately crude, 28 Days Later is also sometimes exceptionally subtle. --Kim Newman

28 Weeks Later--Put that cynical look away, because the critics were right. 28 Weeks Later really is a sequel that delivers, that expands on the original, and in many ways even surpasses it. Faithful in many ways to the enjoyable, if derivative, 28 Days Later, this sequel sees original director Danny Boyle (who went off to make Sunshine instead) replaced by Juan Carlos Fresnadillo behind the camera (director of the excellent Spanish film Intacto). And Fresnadillo is an inspired choice, putting together a film that’s not bereft of flaws of its own, but one that proves to be an ambitious and surprisingly thought-provoking follow-up. Many of the building blocks are the same. Primarily set over six months after the Rage virus engulfed Britain, turning many of its inhabitants into deadly zombie-esque creatures in the process, the film this time though sees the American military arrive to help sort things out. Only things quickly go wrong, allowing Fresnadillo to mould a pacey, exciting and desperately enjoyable action carnival, that’s got a little more under the surface. Grounded by Robert Carlyle as one of the survivors of the virus, replete with his kids in tow, 28 Weeks Later skilfully navigates the labyrinth of sequel hell and really, really delivers. What’s more, it opens up the enticing possibility of a further sequel, and on the evidence of this film, that’s a very welcome thought. 28 Weeks Later, like its predecessor, isn’t a film for the faint-hearted, and wholesome family entertainment it absolutely isn’t. But it’s a very good, energetic horror movie, and far, far better than you might have originally given it credit for. --Jon Foster

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Special Features:	Commentary by Juan Carlos Fresnadillo and Enrique Lopez Lavigne, Deleted scenes with optional commentary, Making of 28 Weeks Later, Featurettes, Theatrical teaser, Theatrical trailer
Year:	2007
Release Date:	September 10, 2007
Runtime:	96 minutes
Certification:
Catalogue Number:	3557802000
Keywords:	Weeks, English, General, Later, Horror, Occult
Genre:	Horror/Occult