Stars: Charlize Theron, Marton Csokas, Jonny Lee Miller, Sophie Okonedo, Frances McDormand, Pete Postlethwaite, Amelia Warner, Caroline Chikezie, Nikolai Kinski, Paterson Joseph, Yangzom Brauen

Director: Karyn Kusama

Summary: Karyn Kusama, the writer-director of GIRLFIGHT, the story of a tough female boxer, turns her attentions to a tough female superhero in AEON FLUX. Based on a series of animated shorts that aired on MTV, the live-action feature film version stars Charlize Theron, in jet black hair, as the secret agent of the title. Aeon Flux is a Monican who has been ordered to assassinate Trevor Goodchild (Martin Csokas), the leader of Bregna a futuristic walled city that is the last vestige of humanity on 25th-Century earth. But a long-buried memory prevents her from killing him, ultimately making both of them targets. As Trevor battles his brother, Oren (Jonny Lee Miller), for control of Bregna, Aeon seeks revenge for the murder of her sister (Amelia Warner) while also being hunted down by her former partner, Sithandra (Sophie Okonedo). At the centre of it all is a secret that threatens to tear everything apart. Theron, who performed most of her own stunts, glides through the film in barely-there outfits, while also jumping, running, slinking, diving, and cartwheeling her way through dangerous situations, recalling the gorgeous movements made by the animated version. The film alternates between stark gray-and-white sets and brilliant splashes of red, green, and yellow, adding a vibrancy that befits a cartoon adaptation. The taut script, by Phil Hay and Matt Manfredi (who previously teamed up on CRAZY/BEAUTIFUL), delves deep into the relationships of siblings that often border between love and hate. Graeme Revell's smart score never overwhelms the action, which involves a lot of automatic weapons, and Oscar winner Frances McDormand and Oscar nominee Pete Postlethwaite feature in small roles.

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Like the animated series it’s based on, Aeon Flux is the kind of sci-fi that’s best appreciated by the MTV generation. It’s a serious attempt at stylised, futuristic action/adventure (the title character, played by Charlize Theron, is essentially a female James Bond for the cyberpunk era) and taken for what it is, it’s not all that bad. The action takes place in the year 2415, four centuries after a virus nearly decimated the human race, leaving only five million survivors in a utopian city called Bregna. Aeon belongs to the Monicans, a secret rebel resistance force that is struggling to destroy the Goodchild regime led by its namesake, Trevor Goodchild (Marton Csokas), the ruler of Bregna and a descendant of the man who found a cure for the deadly virus. As instructed by the Handler (Frances McDormand, gamely playing along in ridiculous sci-fi regalia), Aeon is assigned to assassinate Goodchild, but there are deeper secrets to be discovered, and conspiracies to be foiled. This leads director Karyn Kusama (who fared much better with her debut feature Girlfight) to indulge in all sorts of routine action and fast-paced gunplay, but the elusive pleasures of Aeon Flux are mostly found in the sleek athleticism of Theron and costar Sophie Okonedo (as a fellow Monican), who commit themselves 100% to roles that are dramatically flat yet physically dynamic. Other highlights include Aeon’s high-tech gadgetry (including an eyeball that doubles as a microsocope) and the amusing sight of Pete Postlethwaite in a costume resembling a construction-site disposal tube, but Flux fans may wonder what happened to the surreal, chromium sheen future that gave the MTV series its visionary appeal. As a live-action feature, Aeon Flux is a miscalculated exercise in cheesy style and dour tone, but it’s entertaining enough to earn a small cadre of admirers. --Jeff Shannon

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region B
Year:	2005
Release Date:	October 13, 2008
Runtime:	89 minutes
Certification:
Catalogue Number:	B S P 2002
Keywords:	Action, General, Adventure, Aeon, Flux
Genre:	Action/Adventure