Stars: Sigourney Weaver, Tom Skerrit, Harry Dean Stanton, Veronica Cartwright, Yaphet Kotto, Ian Holm, John Hurt

Director: Ridley Scott

Summary: Chilling science fiction story of seven astronauts who become the victims of a galactic horror when they stumble upon an alien life form never seen before. The nightmare begins...

Director Ridley Scott's breakthough film, an immensely successful blend of horror and science fiction, is a classic in both genres and spawned a host of sequels and imitators. Starring Sigourney Weaver as warrant officer Ellen Ripley, ALIEN focuses on the crew of the space cargo ship Nostromo, which lands on a moribund planet in response to a faint SOS. Inside a crashed ship, the crew members come upon strange pods, one of which spews forth a repellently fleshy insectile creature that locks on to the face of the unlucky Kane (John Hurt). Despite Ripley's advice, science officer Ash (Ian Holm) allows Kane to return to the ship, where the creature finally releases its grip. Soon, however, in one of the film's most infamous scenes, one of its offspring explodes horribly from Kane's stomach and scurries away. Dallas (Tom Skerritt), the vessel's captain, leads the others in a search for the rapidly growing, acid-dripping alien before it can cut them down--one by one.
A triumph of art direction, set design, and special effects, ALIEN gains much of its impact from the contrast between the bleak, antiseptic beauty of the space vessel's interior and the primordial horror of the alien, a brilliantly original fusion of insect, man, and machine designed by Swiss surrealist painter H.R. Giger. The top-notch cast also includes Veronica Cartwright, Yaphet Kotto, and Harry Dean Stanton.

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By transplanting the classic haunted house scenario into space, Ridley Scott, together with screenwriters Dan O'Bannon and Ronald Shusett, produced a work of genuinely original cinematic sci-fi with Alien that, despite the passage of years and countless inferior imitations, remains shockingly fresh even after repeated viewing. Scott's legendary obsession with detail ensures that the setting is thoroughly conceived, while the Gothic production design and Jerry Goldsmith's wonderfully unsettling score produce a sense of disquiet from the outset: everything about the spaceship Nostromo--from Tupperware to toolboxes-seems oddly familiar yet disconcertingly ... well, alien.

Nothing much to speak of happens for at least the first 30 minutes, and that in a way is the secret of the film's success: the audience has been nervously peering round every corner for so long that by the time the eponymous beast claims its first victim, the release of pent-up anxiety is all the more effective. Although Sigourney Weaver ultimately takes centre-stage, the ensemble cast is uniformly excellent. The remarkably low-tech effects still look good (better in many places than the CGI of the sequels), while the nightmarish quality of H.R. Giger's bio-mechanical creature and set design is enhanced by camerawork that tantalises by what it doesn't reveal.

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Special Features:	Theatrical And Directors Cut Of The Film, Directors Introduction To 2004 Version Of The Film, Ridley Scott And Crew Commentary On Theatrical Version, Featurettes, First Draft Screenplay, 2 Pre Production Galleries Art Of Alien Screentest Footage, Art Of Alien P
Year:	1979
Release Date:	April 23, 2007
Runtime:	111 minutes
Certification:
Catalogue Number:	2522501054
Keywords:	Alien, English, Edition, Fiction, Science, Definitive, Genereal
Genre:	Science Fiction