Stars: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane, Paul Simon, Shelley Duvall, Janet Margolin, Colleen Dewhurst, Christopher Walken

Director: Woody Allen

Summary: A nervous romantic comedy about the relationship between a young Jewish comedian and a mid-Western girl.

Woody Allen cowrote, directed, and stars in this award-winning film as a kvetchy Brooklyn comedian wistfully recalling his bygone relationship with flighty, adorable, and irrepressibly midwestern (read: not Jewish) Annie Hall. The film marked a transition from Allen's earlier absurdist comedies to a richer vein of thoughtful consideration of relationships. The gentle narrative revolutionized the urban romantic-comedy genre, while Keaton's hip, man-tailored wardrobe set the 1977 fashion standard. The film is filled with memorable scenes and oft-quoted lines and features Allen talking right into the camera, a technique that was not commonplace at the time. Allen, playing comedian Alvy Singer, uses many of his stand-up comedy routines in the film as he woos the wonderful Diane Keaton, playing the title character, Annie Hall. As Alvy helps Annie mature, she grows apart from him, choosing to live in Southern California, which is the antithesis of his deep love for New York. The film features fabulous visual and verbal gags, a propensity for food scenes, and memorable cameos by the likes of Marshall McLuhan, Paul Simon, Christopher Walken, Truman Capote, Shelley Duvall, and others.

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Annie Hallis one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk". Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is incontestable when he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater".

The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hallembraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson

Aspect Ratio:	1.85 Wide Screen, 16:9 Wide Screen
Main Language:	English
Region:	Region 2
Special Features:	Original Theatrical Trailer, Booklet
Year:	1977
Release Date:	July 10, 2000
Runtime:	89 minutes
Certification:
Catalogue Number:	16026 D V D
Keywords:	Annie, Hall, Comedy, General, Romantic
Genre:	Comedy