Stars: Li Bin, Zhou Xun

Director: Wang Xiaoshuai

Summary: The story of Gui who takes a job as a bicycle messenger in Beijing, but he lands in trouble when her bicycle is stolen...

Wang Xiaoshuai's moving, emotional BEIJING BICYCLE tells the story of a young country boy, Guei (Cui Lin), who comes to the big city determined to make it. He soon finds a job as a bike messenger in which he gets a small percentage of each delivery, working hard to build up enough credit to eventually own the bike for himself. As he grows closer to his goal, the bike is stolen and ultimately winds up in the hands of Jian (Li Bin), a poor city boy who sees the bike as his only way to make friends and impress the girl he loves. With both boys claiming the bike is theirs, a series of fights ensues over what is more than just a bike--it has become a symbol of success, power, and greed in a changing country.
Lin and Bin are excellent as the two boys battling over the bike; it is heartbreaking to watch Lin keep a tight hold of the bike even as Bin and his friends beat him senseless. Cinematographer Lui Jie depicts a very different China, one that is filled with dangerous, meandering alleys and frightening poverty. The film, almost devoid of color save for a young woman's red dress and shoes, is reminiscent of Vittori De Sica's BICYCLE THIEF and Peter Yates's BREAKING AWAY; the freedom the bicycle represents overwhelms both young boys as they risk their lives to hold on to it. The film won a Silver Berlin Bear for its honest, gritty, heartfelt depiction of a Beijing that is not often seen in the West.

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Beijing Bicyclekicks off like an updated Chinese reworking of the 1948 Italian neo-realist classic Bicycle Thieves: a worker, dependent on his bike for his job, has it stolen and doggedly sets out to get it back. But pretty soon Wang Xiaoshuai's film mutates into something more elemental: a battle of wills between peasant lad Guei, original owner of the bike, and Jian, a surly urban schoolkid who claims to have bought it second-hand. For both the bike is status: for Guei it secures him his job as a courier, while for Jian it lets him keep up with his peers and chat up the girl he fancies. Each sees himself as the rightful owner and neither will give way, so the bike swaps hands back and forth, stolen and re-stolen, as the duel waxes increasingly personal.

There's a diverting subplot about a beautiful, stylishly dressed girl glimpsed by Guei who turns out be something other than she seems, but essentially the battle over the bike is the meat of the film. The fascination of Beijing Bicycle--perhaps especially for non-Chinese viewers--is its portrait of present-day Beijing as a buzzing, high-pressure, neo-capitalist boomtown, impersonal and seemingly as lawless as any Wild West frontier burg. At no point, in all the thefts and counter-thefts and mounting violence, does anyone think to call the police--everyone is left to fight his own battles. Wang, one can't help suspecting, is slipping in a hint of social criticism in this vision of an uncaring society where possessions are all that matter.

On the DVD:Beijing Bicycleon disc has the original theatrical trailer (the French version, oddly enough), filmographies for the director and four of his lead actors, notes on the film by Nick Bradshaw and trailers for other Metro Tartan foreign-language DVD releases. The transfer's in the full anamorphic widescreen of the original, with good Dolby Digital sound. --Philip Kemp

Aspect Ratio:	Anamorphic Wide Screen
Main Language:	Mandarin
Region:	Region 0
Special Features:	Star And Director Filmographies, Scene Selection, Original Trailer, Nick Bradshaw Film Notes, World Cinema Trailer Reel
Subtitles:	English
Year:	2001
Release Date:	November 18, 2002
Runtime:	105 minutes
Certification:
Catalogue Number:	T V D 3399
Keywords:	Subtitled, General, Chinese, Bicycle, Drama, Beijing
Genre:	Drama