Stars: Renee Zellweger, Colin Firth, Hugh Grant, Gemma Jones, Jim Broadbent, Sally Phillips, James Callis, Shirley Henderson, Celia Imrie, Honor Blackman, Embeth Davidtz

Director: Sharon Maguire

Summary: In the screen adaptation of BRIDGET JONES'S DIARY, Helen Fielding's international best-selling phenomenon, documentary filmmaker (and real-life inspiration for the character Shazzer) Sharon Maguire has managed a rare feat - a film as captivating as the novel. Bridget Jones (Renee Zellweger) is a pretty and neurotic thirtysomething singleton (in her vernacular) who vows to take control of her life after being humiliated by handsome, standoffish barrister, Mark Darcy (Colin Firth) at her parents' New Year's party. Determined to lose weight and cut back on vices like wine, cigarettes, and workaholic-alcoholic-misogynistic men, Bridget begins a diary to chart her progress. Unfortunately, the P.R. executive hits a snag when her boss, gorgeous cad Daniel (Hugh Grant) instigates a sexy e-mail flirtation. Despite her tendency to bungle book launch parties, and any situation involving the ever-present, ever-disapproving Mark Darcy, Bridget's winning combination of charm, vulnerability, and wit intrigues not only the seductively dangerous Daniel, but also the arrogant barrister. Featuring a note-perfect performance by Zellweger, a devilishly against-type one by Grant, and the inspired casting of Firth (the object of Bridget's lusty fantasies in the book); DIARY is a clever, delightful romantic comedy guaranteed to please old fans and win new ones.

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Bridget Jones's Diary

Featuring a blowzy, winningly inept size-12 heroine, Bridget Jones's Diary is a fetching adaptation of Helen Fielding's runaway bestseller, grittier than Ally McBeal but sweeter than Sex and the City. The normally sylphlike Renée Zellweger (Nurse Betty, Me, Myself and Irene) wolfed pasta to gain poundage to play "singleton" Bridget, a London-based publicist who divides her free time between binge eating in front of the TV, downing Chardonnay with her friends, and updating the diary in which she records her negligible weight fluctuations and romantic misadventures of the year. Things start off badly at Christmas when her mother tries to set her up with seemingly standoffish lawyer Mark Darcy (Colin Firth), whom Bridget accidentally overhears dissing her. Instead she embarks on a disastrous liaison with her raffish boss, Daniel Cleaver (Hugh Grant, infinitely more likeable when he's playing a baddie instead of his patented tongue-tied fops). Eventually, Bridget comes to wonder if she's let her pride prejudice her against the surprisingly attractive Mr. Darcy.

If the plot sounds familiar, that's because Fielding's novel was itself a retelling of Jane Austen's Pride and Prejudice, whose romantic male lead is also named Mr. Darcy. An extra ironic poke in the ribs is added by the casting of Firth, who played Austen's haughty hero in the acclaimed BBC adaptation of Austen's novel. First-time director Sharon Maguire directs with confident comic zest, while Zellweger twinkles charmingly, fearlessly baring her cellulite and pulling off a spot-on English accent. Like Four Weddings and a Funeral and Notting Hill (both of which were written by this film's coscreenwriter, Richard Curtis), Bridget Jones's stock-in-trade is a very English self-deprecating sense of humour, a mild suspicion of Americans (especially if they're thin and successful), and a subtly expressed analysis of thirtysomething fears about growing up and becoming a "smug married." The whole is, as Bridget would say, v. good. --Leslie Felperin

Bridget Jones 2: The Edge Of Reason

Although it's been three years since we last saw Bridget (Renée Zellweger), only a few weeks have passed in her world. She is, as you'll remember, no longer a "singleton," having snagged stuffy but gallant Mark Darcy (Colin Firth) at the end of the 2001 film. Now she's fallen deeply in love and out of her neurotic mind with paranoia: Is Mark cheating on her with that slim, bright young thing from the law office? Will the reappearance of dashing cad Daniel Cleaver (Hugh Grant) further spell the end of her self-confidence when they're shoved off to Thailand together for a TV travel story? If such questions also seem pressing to you, this sequel will be fairly painless, but you shouldn't expect anything fresh. Director Beeban Kidron and her screenwriters--all four of them!--are content to sink matters into slapstick, with chunky Zellweger (who's unflatteringly photographed) the literal butt of all jokes. Though the star still has her charms, and some of Bridget's social gaffes are amusing, the film is mired in low comedy--a sequence in a Thai women's prison is more offensive than outrageous--with only Grant's rakish mischief to pull it out of the swamp. --Steve Wiecking

Aspect Ratio:	2.35 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Special Features:	Commentary By Director Sharon Maguire, Behind The Scenes Featurette, Bridget Jones Articles Featurette, Deleted Scenes, Two Music Videos
Subtitles:	Dutch, English, French, Portuguese
Year:	2001
Release Date:	December 1, 2001
Runtime:	93 minutes
Certification:
Catalogue Number:	U D R 90133
Label:	Universal
Keywords:	Comedy, Bridget, General, Diary, Wide, Screen, Romantic, Jones's
Genre:	Comedy