
Stars:
Harry Connick Jr.,
Michael Shannon,
Lynn Collins,
Brian F. O'Byrne,
Ashley Judd
Director:
William Friedkin
Summary: Aggie lives a largely solitary life in Oklahoma, haunted by a sad past and hounded by her ex-con ex-husband. When a female friend and occasional lover introduces Aggie to Peter, it seems she has found her match. The pair enters into a cautious romance, but their dark natures fuel more than just passion. Peter reveals that he was a victim of government experimentation that left blood-hungry aphids crawling under his skin, and the couple begins to obsess over the idea that they could be infected by the insects.
Ashley Judd stars as a lonely waitress in this study in fear and paranoia from director William Friedkin. Aggie lives a largely solitary life in Oklahoma, haunted by a sad past and hounded by her ex-con ex-husband (Harry Connick, Jr., WILL & GRACE). When a female friend and occasional lover introduces Aggie to Peter (Michael Shannon, WORLD TRADE CENTER), it seems she has found her match. The pair enters into a cautious romance, but their dark natures fuel more than just passion. Peter reveals that he was a victim of government experimentation that left blood-hungry aphids crawling under his skin, and the couple begins to obsess over the idea that they could be infected by the insects.
Based on Tracy Letts�s play, BUG is an effective psychological thriller that gets under the audience�s skin. Though the film never takes advantage of the freedom of the screen versus the confines of the stage, setting the action almost entirely within the walls of Aggie�s hotel room evokes a claustrophobic feeling. Shannon deftly reprises his role from the stage play with a squirm-inducing mass of tics and twitches, but it�s Judd who deserves the bulk of the praise. With her role as Aggie, she leaves behind roles such as the romantic comedy lead of SOMEONE LIKE YOU or the revenge-seeking heroine of DOUBLE JEOPARDY. Instead, she�s alternately proud and insecure, fully immersing herself in the part of a woman unlike anyone she has played before. Though Friedkin helmed two of the most notable films of the 1970s with THE EXORCIST and THE FRENCH CONNECTION, he hasn�t directed many critical successes since. But with its similarities to the moody work of Roman Polanski, this film could represent a return to form for the veteran director.