Stars: Molly Parker, Peter Sarsgaard, Mel Gorham, Jason McCabe, Carla Gugino, Balthazar Getty, Noriyuki Morita

Director: Wayne Wang

Summary: A young computer genius pays a stripper to spend four nights with him. But when feelings develop can they stick to the rules laid down in the deal?

Wayne Wang, although known for his personal drama about Chinese-American life, EAT A BOWL OF TEA, and the Hollywood equivalent, THE JOY LUCK CLUB, has always harbored a fascination with the depiction of sex in the movies. The director remarked, "In college I loved movies like LAST TANGO IN PARIS." Here, in his first digital video feature, he provides, like Bertolucci, a raw and unflinching look at love, sex and money. Working with a script he developed with Siri Hustvedt and Paul Auster, he tells the story of Richard (Peter Sarsgaard), a wealthy dot-com computer engineer who hires Florence (Molly Parker), a dancer at a strip club, to spend three days with him in Las Vegas. She provides a contract limiting her duties to a nightly erotic show, but with no actual sex. But as they develop real feelings for each other both of them are confused about the meaning that sex would have. Richard thinks it will make her his girlfriend, Florence thinks it will make her a prostitute. While this story line may seem borrowed from the comedy PRETTY WOMAN, this is a serious, intelligent film. It's intriguing script is enhanced by the visceral immediacy of the digital video photography. Overall, CENTER OF THE WORLD is an exploration of the politics and emotions that are tied to the struggle between men, women, sex, and money. The script was written by Wang, Auster, and Hustvedt but it is credited to Ellen Wong, a pseudonym that encompasses their collective work.

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One of the most shocking events in modern American history gets a skilled and respectful treatment in United 93. The movie begins by following the four terrorists who hijacked the plane that never reached its target on 9/11/2001, tracking them as they enter the airport and wait for their flight, surrounded by the people who will die from their actions. From there, it cuts to and fro among air traffic controllers and the military as, gradually, it becomes clear that planes are being hijacked and crashed into buildings. As the focus turns to the captive United Flight 93, the passengers discover, due to cell phone connections with family, that they're on a suicide mission and--almost paralyzed by stress and anxiety--decide to fight back. Most movies create tension by implying what might happen, but with United 93 the audience knows exactly what happened: Every person on that plane died. As a result, the movie is more relentlessly gut-wrenching than suspenseful (though the dawning realisation of the air traffic controllers has an effective creeping dread). But writer/director Paul Greengrass (The Bourne Supremacy) manages to keep the scale of the events human; there are no glamourous heroics, only terrifying confusion and desperate, hopeless bravery. One can only hope the movie brings some peace to the families of the passengers, as United 93 is the cinematic equivalent of a war memorial, commemorating lives lost in a moment of horrible, harrowing conflict. --Bret Fetzer

Main Language:	English
Region:	Region 2
Special Features:	Featurettes - 1. BEHIND THE CYBER SCENES, 2. THE MAKING OF THE CENTRE OF THE WORLD WEBSITE, Alternate Endings, Extended Scene, Production Notes
Year:	2001
Release Date:	April 14, 2003
Runtime:	88 minutes
Certification:
Catalogue Number:	M P 129 D
Keywords:	World, General, Centre, Drama
Genre:	Drama