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The 300 Spartans - The futile yet inspiring stand of 300 Greek soldiers against the hugest army ever assembled in the ancient world inspired this typical example of Hollywood epic movie-making. King Leonidas of Sparta (Richard Egan), prevented by political squabbling from sending his entire army to defend the narrow pass of Thermopylae, sets out with his personal bodyguard to fight off the ambitious Persian king, Xerxes. Along the way are a pair of young lovers, scantily clad dancing girls, and treachery though a secret mountain path. The 300 Spartans, made in 1961, has an overstated cold war subtext--there's much talk of freedom vs. slavery--and there are a few too many shots of armoured men marching through the Greek countryside, but the historical conflict has a fundamentally stirring quality. Also featuring Sir Ralph Richardson (Dr. Zhivago, Dragonslayer) as a wily Athenian politician. --Bret Fetzer
Alexander The Great - Richard Burton stars in Alexander the Great, a middling entry in the 1950s CinemaScope epic cycle. The film boasts excellent production values and a fine cast--including Frederic March, Claire Bloom, Harry Andrews, Stanley Baker, Peter Cushing and Michael Hordern--but it rarely comes to life other than as a big fat ancient Greek wedding of the talents of Burton and Bloom. They strike real dramatic sparks together, so much so they would be reunited in Look Back in Anger (1958) and The Spy Who Came in from the Cold (1965). The film's failures must be laid at the feet of writer, director and producer Robert Rossen, who never before or after helmed anything remotely on this scale; his best work would follow with the intimate The Hustler (1961). Rossen simply shows little sensibility for the epic, staging lavish but brief and rather pedestrian battles and somehow drawing from the usually mesmerising Burton a performance lacking the charisma essential to a great military commander. Burton fans can enjoy him at his epic best as Marc Anthony in Cleopatra (1963).Demetrius and the Gladiators - Amid a cast of all-stars in 1953's The Robe, Victor Mature made the strongest impression as the Greek slave, Demetrius. It was only natural, then, that Mature should star in this 1954 sequel, in which the newly liberated Demetrius forges an alliance with his Christian brethren to hide the sacred robe of Christ, coveted for its "magic" by the vile emperor Caligula (Jay Robinson, also reprising his role in The Robe). Captured and manipulated into believing his beloved Lucia (Debra Paget) has been killed, Demetrius rejects his pacifist faith, plots vengeance while becoming a rising star in the bloody arena, and falls prey to the scheming senator's wife Messalina (Susan Hayward), who craves his... affection. It all leads to a crisis of faith that will determine Demetrius's fate as a noble Christian or downfallen hedonist. Inheriting The Robe's CinemaScope production values, Demetrius and the Gladiators has everything you'd want in a Biblical epic. It's campy, of course--Robinson is outrageously over-the-top; Mature is too contemporary and Hayward seems closer to Rodeo Drive than ancient Rome. Still, there are abundant pleasures here, from the lavish arena battles (a bit cheesy, but still impressive) to a straightforward morality tale that doesn't compromise its themes of religious loyalty. You don't watch movies like this for historical accuracy, but for the combination of thrills, passion, and glory that were Hollywood trademarks of 1950s epics, long before the more secular ambition of Gladiator. --Jeff Shannon The Robe - When Roman tribune Marcellus Gallio (Richard Burton) is sent to Jerusalem, one of his assignments is the crucifixion of Jesus Christ. Marcellus, a cynical and hardened man, wins the robe Jesus wore to the crucifixion while gambling with other Roman soldiers underneath the dying savior. He later becomes convinced that his hallucinations and violent outbursts are the result of a curse received from the robe, which is now in the possession of his escaped slave, Demetrius (Victor Mature), somewhere in the Middle East. He sets out to find Demetrius in order to destroy the robe and the curse and finds faith instead, converting to Christianity. This was the first movie to be filmed in CinemaScope, and won Oscars in 1953 for costume design, art direction, and set decoration. The visual aspects of the film are stunning, and it may be worth viewing for that alone; however, the script and acting leave much to be desired, and you won't find inspiration in these areas if that's what interests you. If, however, you are more interested in this film for its religious matter, the story of the conversion of the hardened Marcellus is inspiring. --James McGrathMain Language: | English |
Region: | Region 2 |
Special Features: | Interactive menu, Scene selection |
Release Date: | October 1, 2007 |
Runtime: | 472 minutes |
Certification: | |
Catalogue Number: | 3663701000 |
Keywords: | Great, Action, Collection, Alexander, Classic, English, Films, Demetrius, Gladiators, Spartans, Robe, Historical, Epic, Adventure |
Genre: | Action/Adventure |