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Cotton Club, The
Cotton Club, The
Stars: Richard Gere, Gregory Hines, Bob Hoskins, Lonette McKee, James Remar, Diane Lane, Allen Garfield, Nicolas Cage, Laurence Fishburne, Jennifer Grey, Fred Gwynne, Lisa Jane Persky, Gwen Verdon, Tom Waits, Julian Beck, Laurence Fishburne, Nicolas Cage, Maurice HinesDirector: Francis Ford Coppola
Summary: Set against the prohibition in Harlem where a rundown trumpeter saves a powerful gangster's life and subsequently becomes involved with the New York criminal element.
Beautiful music and striking dance performances are the highlight of Francis Ford Coppola's musical/mobster flick centered around the legendary Harlem nightclub. The club's black dancers and musicians entertain the exclusively white audience made up of gangsters and Hollywood stars. Local boy Dixie Dwyer (Richard Gere) saves the life of crime boss Dutch Schultz (James Remar) and reluctantly enters the world of racketeering. Talented tap dancer Sandman Williams (Gregory Hines) struggles to get ahead in the segregated world of 1920s nightlife. Authentic costuming and sets help make THE COTTON CLUB a stylistic homage to the Jazz Age and gangster films of old.
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The Cotton Clubis routinely eclipsed by the controversies that surrounded its tumultuous production, but the film itself offers abundant pleasures that should not be overlooked. If Apocalypse Nowrepresents the triumph of director Francis Coppola's perilous ambition, then The Cotton Clubrepresents the ungainly glory of uncontrolled genius, as brilliant as it is out of its depth. As an upscale homage to classic gangster films it's frequently astonishing, cramming a thick novel's worth of plot and characters into 129 minutes, gloriously serviced by impeccable production design, elegant cinematography, and stylistic flourishes that show Coppola at the top of his game.
What The Cotton Clublacks is cohesion. Written by Coppola and novelist William Kennedy (then enjoying the peak of his critical acclaim), the film struggles to exceed the narrative scope of The Godfather, but its multiple early-'30s plotlines fail to form any strong connective tissue. It's three (or four) movies in one, with cornet player Dixie Dwyer (Richard Gere, playing his own jazzy solos) drifting from one story to the next--loving a young, ambitious vamp (Diane Lane, with whom Gere shares precious little chemistry), enjoying the success of a hot-shot hoofer (Gregory Hines), and protecting his brazen brother (Coppola's then-newcomer nephew, Nicolas Cage) from the deadly temper of mob boss "Dutch" Schultz (James Remar). Bob Hoskins and Fred Gwynne also score big in grand supporting roles, but The Cotton Clubis perhaps best appreciated for its meticulous recreation of Harlem's Cotton Club heyday, and the brilliant music (Ellington, Calloway, etc.) that brought rhythm to gangland's rat-a-tat-tat. --Jeff Shannon, Amazon.com
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