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Creature From The Black Lagoon
Creature From The Black Lagoon
Stars: Richard Carlson, Julie Adams, Richard Denning, Antonio Moreno, Whit Bissell, Ben Chapman, Ricou Browning, Syd Mason, Nestor PaivaDirector: Jack Arnold
Summary: A research team digging in the Amazon comes across the fossilised hand of a human fish creature. That night, the creature emerges from the swamp to kill. So begins one of the more recognizable classics of the science fiction and horror genres. Shot originally in 3-D, this has been a late-night TV hit for decades. The hand makes its way back to the oceanographic institute and soon conscientious scientist David Reed (Richard Carlson), greedy scientist Mark (Richard Cunha) and the beautiful girl they fight over, Kay (Julia Adams) are heading up the Amazon to find more fossils. Instead, of course, they run into the real thing, and terror begins. While Mark and David fight over what to do next, the creature falls in love with Kay, and makes plans of his own. Island diver Ricou Browning plays the creature in the spectacular underwater scenes, the highlight being a beautifully creepy scene of Kay going for a swim, while the smitten creature swims along below her, transfixed. The pounding, horrific score is credited to conductor Joseph Gerhsenson but was actually written by a team of composers, including Henry Mancini.
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Jack Arnold's horror classic The Creature from the Black Lagoon spawned not one but two iconic images: the web-footed humanoid gill-man with a hankering for women and the leggy, luscious Julia Adams, the object of his desire, swimming the lagoon in a luminous white bathing suit. Not since King Kong has the "beauty and the beast" theme been portrayed in such sexually charged (though chaste) terms. Arnold turns an effectively B-movie plot--a small expedition up a remote Amazon river captures a prehistoric amphibian man, who escapes to wreak havoc on the team and kidnap his bathing beauty--into a moody, stylish, low-budget feature. The jungle exteriors turn from exotic to treacherous when the creature blocks their passage and strands them in the wilds. Much of the film is shot underwater, where the murky dark is animated by shimmering shards of sunlight, creating images both lovely and alien (the studio-built sets of the creature's underground lair are far less naturalistic, but serve their purpose). As with most of Arnold's '50s genre films, he's saddled with a less than magnetic leading man (in this case the colorless but stalwart Richard Carlson) and a conventional script, but he overcomes such limitations by creating a vivid and sympathetic monster (helped immeasurably by a marvelous suit of scales and fins) and establishing a mood thick with atmosphere. The film was originally shot in 3-D. --Sean Axmaker
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