Stars: Dirk Bogarde, Bjorn Andresen, Silvana Mangano, Mark Burns, Marisa Berenson

Director: Luchino Visconti

Summary: One man becomes so obsessed by the beauty of a young boy in Venice that he cannot bear to leave, even when the city is affected by a plague. Based on the novel by Thomas Mann.

Luchino Visconti's striking adaptation of Thomas Mann's DEATH IN VENICE follows the sickly composer, Gustav von Aschenbach (Dirk Bogarde). As the film begins, Aschenbach is arriving by steam boat in Venice from Munich. He is deeply distracted, nervous, uncomfortable, and conflicted. Nonetheless, he settles into a breathtaking seaside resort, where he fixates on Tadzio (Bjorn Andresen), an angelic blond Polish boy who is there with his family. While flashbacks to happy times spent with his wife and small daughter fill in some of the blanks of Aschenbach's personal past, others recall Aschenbach's harsh and competitive friend, Alfred (Mark Burns), who criticised Aschenbach's music for being overly perfected and thus lacking in beauty and passion. Through these flashbacks, it becomes evident that Aschenbach feels defeated in both his personal and his professional lives. The film uses very little dialogue, relying largely on the characters's facial expressions to communicate the tortured mentality of the protagonist, the curious vanity of young Tadzio, and the precocious airs of the bourgeois women who parade the Venetian beaches in taffeta, bonnets, and parasols. As Aschenbach's infatuation with Tadzio grows beyond his control, he learns that, "Venice is gripped by pestilence," and the city is being sequestered to prevent the spread of a cholera outbreak. With concentrated, languid pacing, a colour scheme consisting of bold blacks and stark whites that are a constant reminder of the inevitable, and some hauntingly surreal scenes, DEATH IN VENICE captures the poignancy of Mann's novel with a sharp, sinister, and unwavering accuracy.

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Luchino Visconti's adaptation of the Thomas Mann story Death in Veniceis the very definition of sumptuous: the costumes and sets, the special geography of Venice, and the breathtaking cinematography combine to form a heady experience. At the centre of this gorgeousness is Aschenbach (Dirk Bogarde in a meticulous performance), a controlled intellectual who unexpectedly finds himself obsessed by the vision of a 14-year-old boy while on a convalescent vacation in 1911. Visconti has turned Aschenbach into a composer, which accounts for the lush excerpts from Mahler on the soundtrack (Bogarde is meant to look like Mahler, too). Even if it tends to hit the nail on the head a little too forcefully, and even if Visconti can test one's patience with lingering looks at crowds at the beach and hotel dining rooms, Death in Venicecreates a lushness rare in movies. --Robert Horton

Main Language:	English
Region:	Region 2
Special Features:	Featurette - 1. VISCONTI'S VENICE, Trailer, TOUR OF VENICE Photo Gallery
Year:	1971
Release Date:	April 1, 2004
Runtime:	125 minutes
Certification:
Catalogue Number:	D 028881
Keywords:	Death, Mann, General, Venice, Thomas, Drama, Period, Morte, Venezia
Genre:	Drama