Stars: Danny Glover, Jennifer Hudson, Jamie Foxx, Beyonce Knowles, Eddie Murphy

Director: Bill Condon

Summary: Set in 1960s Detroit, DREAMGIRLS follows the commercial and cultural struggles of the R&B recording industry, through the rise of the Dreamettes (later shortened to just the Dreams) from backup singers to headlining international superstars. The trio--Deena, Effie, and Lorrell--soon discover the harsh reality behind the glamour of fame and fortune, as the group's controlling and shady manager, Curtis Taylor Jr, uses them to help build his musical empire and capture his dream of crossing over from R&B to the pop charts.

Set in 1960s Detroit, DREAMGIRLS follows the commercial and cultural struggles of the R&B recording industry, through the rise of the Dreamettes (later shortened to just the Dreams) from backup singers to headlining international superstars. The trio--Deena (Beyonce Knowles), Effie (Jennifer Hudson), and Lorrell (Anika Noni Rose)--soon discover the harsh reality behind the glamour of fame and fortune, as the group's controlling and shady manager, Curtis Taylor Jr. (Jamie Foxx), uses them to help build his musical empire and capture his dream of crossing over from R&B to the pop charts. He sacrifices Effie's immense talent as lead singer for Deena's stunning, more mainstream look to sell the sound, pushing marketable appeal over musical artisanship--and compromising the ambitions of his proteges.

Since its Broadway debut, DREAMGIRLS has been widely rumoured to be inspired by the hugely successful girl-group the Supremes, as well as some of Motown's biggest players. Knowles's Deena portrays the Diana Ross character, radiant in miraculous recreations of the hairstyles and fashions that made Ross timeless, while Foxx's Taylor exemplifies influential Motown Records founder Berry Gordy Jr. Former AMERICAN IDOL contestant Jennifer Hudson makes her feature-film debut delivering a knockout performance as the larger-than-life Effie, and Eddie Murphy is believable as the misunderstood James Brown-like character of Jimmy "Thunder" Early. Vibrant with colourful costumes and sleek backdrops, the film flows effortlessly from dialogue to musical numbers, each song capturing the richness of the talented cast and the essence of the era, endlessly soaring with fast-paced excitement and non-stop emotion.

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The spirit of Motown runs through the long-awaited film adaption of the Broadway musical Dreamgirls, which centres around a young female singing trio who burst upon the music scene in the '60s, complete with bouffant hairdos, glitzy gowns, and a soul sound new to the white-bread American music charts. Sound familiar? You aren't the first one to draw comparisons to the meteoric rise of the Supremes, and despite any protests to the contrary, this is most definitely a thinly veiled reinterpretation of that success story. The Dreamettes--statuesque Deena (Beyonce Knowles), daffy Lorell (Anika Noni Rose) and brassy Effie (Jennifer Hudson)--are a girl group making the talent-show rounds when they're discovered by car salesman and aspiring music manager Curtis Taylor Jr. (Jamie Foxx). Sensing greatness (as well as a new marketing opportunity) Curtis signs the Dreamettes as backup singers for R&B star James "Thunder" Early (Eddie Murphy). But when Early's mercurial ways and singing style don't mesh with primarily white audiences, Curtis moves the newly-renamed Dreams to center stage--with Deena as lead singer in place of Effie. And that's not the only arena in which Effie is replaced, as Curtis abandons their love affair for a relationship with star-in-the-making Deena.

Besides the Supremes comparison, one can't talk about Dreamgirls now without revisiting its notorious Oscar snub; though it received eight nominations, the most for any film from 2006, it was shut out of the Best Picture and Director races entirely. Was the oversight justified? While Dreamgirls is certainly a handsomely mounted, lovingly executed and often vibrant film adaptation, it inspires more respect than passion, only getting under your skin during the musical numbers, which become more sporadic as the film goes on. Writer-director Bill Condon is definitely focused on recreating the Motown milieu (down to uncanny photographs of Knowles in full Diana Ross mode), he often forgets to flesh out his characters, who even on the Broadway stage were underwritten and relied on powerhouse performances to sell them to audiences. (Stage fans will also note that numerous songs are either truncated or dropped entirely from the film.) Condon has assembled a game cast, as Knowles does a canny riff on the essence of Diana Ross' glamour (as opposed to an all-out impersonation) and Rose makes a peripheral character surprisingly vibrant; only Foxx, who never gets to pour on the charisma, is miscast.

Still, there are two things even the most cranky viewers will warm to in Dreamgirls: the performances of veteran Eddie Murphy and newcomer Jennifer Hudson. Murphy is all sly charm and dazzling energy as the devilish Early, who's part James Brown, part Little Richard, and all showman. And Hudson, an American Idol contestant who didn't even make the top three, makes an impressive debut as the larger-than-life Effie, whose voice matches her passions and stubbornness. Though she sometimes may seem too young for the role, Hudson nails the movie's signature song, "And I Am Telling You I'm Not Going," with a breathtaking power that must be seen and heard to believe. And for those five minutes, if not more, you will be in Dreamgirls' thrall. --Mark Englehart

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Special Features:	Extended and alternate scenes, Building The Dream documentary
Year:	2006
Release Date:	May 28, 2007
Runtime:	125 minutes
Certification:
Catalogue Number:	P H E 9339
Keywords:	Music, English, Films, Performing, Musicals, Arts, Dreamgirls
Genre:	Music/Performing Arts