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Finding Nemo
A delightful undersea world unfolds in Pixar's animated adventure Finding Nemo. When his son Nemo is captured by a scuba diver, a nervous clownfish named Marlin (voiced by Albert Brooks) sets off into the vast--and astonishingly detailed--ocean to find him. Along the way he hooks up with a scatterbrained blue tang fish named Dory (Ellen DeGeneres), who's both a help and a hindrance, sometimes at the same time. Faced with sharks, deep-sea anglers, fields of poisonous jellyfish, sea turtles, pelicans and much more, Marlin rises above his neuroses in this wonderfully funny and thrilling ride--rarely do more than 10 minutes pass without a sequence appearing that's destined to become a theme-park attraction. Pixar continues its run of impeccable artistic and economic successes (Toy Story, A Bug's Life, Monsters, Inc). Supporting voices here include Willem Dafoe, Geoffrey Rush and Allison Janney. --Bret Fetzer
The Wild
A cuddly koala who wants to be fierce, a squirrel in love with a sarcastic giraffe, an addle-pated anaconda, and a lion with a secret set off from their cozy zoo to rescue the lion's adolescent cub from an accidental kidnapping. After braving the dangers of the big city and stealing a boat, they find themselves in the African jungle, where a renegade herd of wildebeest have decided they want to change their position on the food chain (understandable, really). The Wild is hodgepodge--it's never clear why these mismatched creatures are friends and plot elements seem haphazardly plucked from Finding Nemo, Madagascar, and Ice Age: The Meltdown (though the latter two were made at the same time as The Wild, so it's just unfortunate for this movie that they came out first). Despite a general air of manic desperation, The Wild does have its strengths: The animation is richly realistic, leading to some gorgeous depictions of light (not exactly a selling point for kids, but adults can appreciate it). Several characters pop out--a pair of sewer crocodiles; William Shatner (Star Trek, Boston Legal) is effectively scary as the cult-leader/choreographer of the wildebeest; and comedian Eddie Izzard lends some of his trademark smart and silly humor to Nigel, the disgruntled koala bear. Successful bits and pieces don't make for a great movie, but they keep The Wild from the brink of disaster. --Bret Fetzer