Stars: Marlon Brando, James Caan, Richard Castellano, Robert Duvall, Al Pacino, Sterling Hayden, Talia Shire, Diane Keaton, John Marley, Richard Conte

Director: Francis Ford Coppola

Summary: Chilling portrait of a Sicilian family's rise and near fall from power in America and the passage of rites from father to son. Based on a novel by Mario Puzo.

Based on the best-selling novel by Mario Puzo (who co-wrote the screenplay with director Francis Ford Coppola), THE GODFATHER is an epic tale of Mafia life in America during the 1940s and '50s. Vito Corleone (Marlon Brando) is the family patriarch balancing a love of his family with an ambitious criminal instinct. At the wedding of the Don's daughter Connie (Talia Shire), youngest son Michael (Al Pacino) is reunited with his family. After an assassination attempt leaves the Don too ill to run the family business, Michael and Sonny (James Caan), with the help of consigliere Tom Hagen (Robert Duvall), lead the Corleones into a vendetta-filled war with other mob families. Violent revenge ensues as the family tries to change from its old criminal ways into legitimacy. Diane Keaton, in a stark departure from her usual comedic roles, plays Kay, the long-suffering wife of Michael Corleone. Brilliant casting, music, and storytelling help make THE GODFATHER a classic.

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Despite making many other distinguished films in his long, wandering career, Francis Ford Coppola will always be known as the man who directed The Godfathertrilogy, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are an Italian-American Shakespearian cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business.

The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part IIbalanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part IIIwas mostly written off as an attempted cash-in but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid, Amazon.com

On the DVD:Contained in a tasteful slipcase, the three movies come individually packaged, with the second instalment spread across two discs. The anamorphic transfers are acceptable without being spectacular, with Part 3 looking best of all. Francis Ford Coppola--obviously a DVD fan--provides an exhaustive and enthusiastic commentary for all three movies, although awkwardly these have to be accessed from the Set Up menu. The fifth bonus disc is a real goldmine: the major feature is a 70-minute documentary covering all three productions, which includes fascinating early screen-test footage. There's also a 1971 making-of featurette about the first instalment, plus several shorter pieces with Coppola, Mario Puzo and others talking about specific aspects of the series, including a treasurable recording of composer Nino Rota performing the famous theme. Another section contains all the Oscar-acceptance speeches and Coppola's introduction to the TV edit, plus a whole raft of additional scenes that were inserted in the 1977 re-edited version. Text pieces include a chronology, a Corleone family tree and biographies of cast and crew. Overall, this is a handsome and valuable package that does justice to these wonderful movies. --Mark Walker

Aspect Ratio:	1.78 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Special Features:	Directors Commentary
Subtitles:	Danish, Dutch, English, Finnish, Norwegian, Swedish
Year:	1972
Release Date:	September 13, 2004
Runtime:	167 minutes
Certification:
Catalogue Number:	P H E 8510
Keywords:	General, Godfather, Mario, Drama, Puzo
Genre:	Drama