Stars: Zooey Deschanel, Betty Buckley, Mark Wahlberg, John Leguizamo

Director: M. Night Shyamalan

Summary: In THE HAPPENING, M. Night Shyamalan serves up a slice of apocalyptic strangeness. The film opens onto New York City's Central Park with a crowd of people enjoying an idyllic summer day. The carefree scene soon takes a terrifying turn, when out of nowhere, hordes of people begin to commit suicide en masse. Cut to Elliot (Mark Wahlberg), a science teacher in Philadelphia. When he learns of the attack on New York, he meets up with his wife Alma (Zooey Deschanel), his friend Julian (John Leguizamo), and Julians's daughter, Jess (Ashlyn Sanchez). They make plans to get out of the city via train, but the train is evacuated in the middle of a small Pennsylvania town.

In THE HAPPENING, M. Night Shyamalan serves up a slice of apocalyptic strangeness. The film opens onto New York City's Central Park with a crowd of people enjoying an idyllic summer day. The carefree scene soon takes a terrifying turn, when out of nowhere, hordes of people begin to commit suicide en masse. People scramble to make sense of the pandemonium, and many believe it is a terrorist attack. It appears that some sort of deadly toxin is being released into the air. Cut to Elliot (Mark Wahlberg), a science teacher in Philadelphia. When he learns of the attack on New York, he meets up with his wife Alma (Zooey Deschanel), his friend Julian (John Leguizamo), and Julians's daughter, Jess (Ashlyn Sanchez). They make plans to get out of the city via train, but the train is evacuated in the middle of a small Pennsylvania town. When they learn that the mysterious toxin is spreading its way across the Northeast, they break up into groups, with Elliot, Alma, and Jess running through open farmland in search of safety. They are unsure of where to hide, or what exactly they are hiding from, until Elliot slowly forms a theory about the threat. He fights to keep Alma and Jess free from harm, and the film builds to a bizarre, unsettling climax.
Shyamalan's premise of escaping an unknown, unexplainable attack is a timely one, and is quite chilling in concept. THE HAPPENING succeeds in creating the frenzied scariness of THE BIRDS, combined with the outlandish death scenes and unusual plot line found in B-movie classics. For fans of campy horror in the vein of THE EVIL DEAD, it is truly something to behold.

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You'd expect the end of the world to be no day in the park, but in M. Night Shyamalan's The Happening, a day in the park is where the end begins. One otherwise peaceful summer morning, New Yorkers strolling in Central Park come to a halt in unison, then begin killing themselves by any means at hand. At a high-rise construction site a few blocks over, it's raining bodies as workers step off girders into space. And all the while, the city is so quiet you can hear the gentle breeze in the trees. That breeze carries a neurotoxin, and what or who put it there (terrorists?) is a question raised periodically as the film unfolds. But the question that really matters is how and whether anybody in the Middle Atlantic states is going to stay alive.

The Happening is Shyamalan's best film since The Sixth Sense, partly because he avoids the kind of egregious misjudgment that derailed The Village and Lady in the Water, but mostly because the whole thing has been structured and imagined to keep faith with the point of view of regular, unheroic folks confronted with a mammoth crisis. Focal characters are a Philadelphia high-school science teacher (Mark Wahlberg, excellent), his wife (Zooey Deschanel) and math-teacher colleague (John Leguizamo), and the latter’s little girl (Ashlyn Sanchez). Instinct says get out of the cities and move west; most of the film takes place in the delicately picturesque Pennsylvania countryside, with menace hovering somewhere in the haze. There are no special effects (apart from a wind machine and some breakaway glass), but the movie manages to be deeply unsettling in the matter-of-factness of its storytelling. Especially effective is its feel for what we might call the surrealism of banality. One warning sign that someone has been infected by the neurotoxin is irrational or erratic speech and behavior, yet Shyamalan has a genius for dialogue that sounds normal and everyday as it's spoken, yet flies apart grenade-like a second later as its logic (or illogic) sinks in. Then there's Deschanel's eye-rolling dodginess about the messages some guy has been leaving on her cellphone. Or the fellow (Frank Collis) who addresses his greenhouse plants as though they were his children--has a stray toxic zephyr wafted his way, or is this just his idea of normal? --Richard T. Jameson, Amazon.com

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Year:	2008
Release Date:	November 3, 2008
Runtime:	86 minutes
Certification:
Catalogue Number:	3791501000
Keywords:	English, General, Happening, Thriller
Genre:	Thriller