Stars: Harrison Ford, Karen Allen, Paul Freeman, Alfred Molina, Denholm Elliott, Kate Capshaw, Sean Connery, Alison Doody, John Rhys-Davies, Julian Glover, Shia LaBeouf, Cate Blanchett, Ray Winstone, John Hurt

Director: Steven Spielberg

Summary: Contains the acclaimed Indiana Jones action adventure films RAIDERS OF THE LOST ARK, INDIANA JONES AND THE TEMPLE OF DOOM, INDIANA JONES AND THE LAST CRUSADE, and INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL.

Contains the acclaimed Indiana Jones action adventure films RAIDERS OF THE LOST ARK, INDIANA JONES AND THE TEMPLE OF DOOM, INDIANA JONES AND THE LAST CRUSADE, and INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL.
In RAIDERS OF THE LOST ARK, Allies discover the Nazis are planning to use the Lost Ark of the Covenant as a weapon. The U.S. government enlists archaeologist-adventurer Indiana Jones (Harrison Ford) to locate the biblical treasure chest where the remains of the broken tablets of the Ten Commandments were placed. En route, Jones and his feisty ex-girlfriend, Marion (Karen Allen), must escape the clutches of evil Nazis, duplicitous 'natives', and a nest of venomous snakes--not to mention the wrath of God.
In INDIANA JONES AND THE TEMPLE OF DOOM, thw whip-wielding archaeologist-adventurer Indiana Jones is joined by comely chanteuse Willie and a 12-year-old sidekick named Short Round. Together they search for a mystical stone stolen from an Indian community and stumble upon a dangerous Thuggee cult. Exotic locales, wild chases, death-defying cliff-hangers, last-minute rescues, screaming damsels, and tribal sacrifices are the order of the day as the threesome attempt to acquire the stolen stone.
In INDIANA JONES AND THE LAST CRUSADE, the fearless archeologist is once again pitted against the Nazis as he musters up every last ounce of cunning and courage to rescue his father and the mythical Holy Grail from their evil clutches.
In INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL, Harrison Ford dusts off his infamous brown fedora for another Indiana Jones film, which is once again made by Steven Spielberg and George Lucas. The year is 1957, and Indy is on the run from a team of Russian spies led by a rapier-wielding Irina Spalko (Cate Blanchett). The Russians want Indy to help them locate an ancient artefact that they believe can be used as the ultimate military weapon. Indy manages a narrow escape, and tries to return to his life as a professor of archaeology, but he soon bumps into a '50s greaser named Mutt (Shia LeBeouf). Mutt's mother, as well as one of Indy's longtime friends, have been captured somewhere in Peru. Mutt and Indy hop on a plane to the country, where they manage to track down both Mutt's mother, Marian (Karen Allen), and Professor Oxley (John Hurt), but they also find themselves surrounded by the same scheming Russians. The Russians have found the artefact they were seeking, but Indy now knows its secret and dangerous powers. With the help of Mutt, Marian, and Oxley, he races to return it to its rightful resting place.

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Indiana Jones and the Raiders of the Lost Ark

It’s said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with ‘70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didn’t disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humour, horror… not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--there’s real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th century’s most infamous criminals (the Nazis). Now that’s entertainment. --Sam Graham

Indiana Jones and the Temple of Doom

It’s hard to imagine that a film with worldwide box office receipts topping US$300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas’ 1980s adventure trilogy, to be just that. That doesn’t mean it’s a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, it’s also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a man’s chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that character’s shortcomings. --Sam Graham

Indiana Jones and the Last Crusade

The third episode in Steven Spielberg's rousing Indiana Jones saga, this film recaptures the best elements of Raiders of the Lost Ark while exploring new territory with wonderfully satisfying results. Indy is back battling the Nazis, who have launched an expedition to uncover the whereabouts of the Holy Grail. And it's not just Indy this time--his father (played with great acerbic wit by Sean Connery, the perfect choice) is also involved in the hunt. Spielberg excels at the kind of extended action sequences that top themselves with virtually every frame; the best one here involves Indy trying to stop a Nazi tank from the outside while his father is being held within. For good measure, Spielberg reveals (among other things) how Indy got his hat, the scar on his chin, and his nickname (in a prologue that features River Phoenix as the young Indiana). --Marshall Fine

Indiana Jones and the Kingdom of the Crystal Skull

Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim

Aspect Ratio:	16:9 Wide Screen
Main Language:	English
Region:	Region 2
Year:	1981
Release Date:	November 10, 2008
Runtime:	461 minutes
Certification:
Catalogue Number:	P H E 9826
Keywords:	Action, Collection, Jones, English, General, Indiana, Adventure, Complete
Genre:	Action/Adventure