Stars: Oskar Werner, Henri Serre, Jeanne Moreau

Director: Francois Truffaut

Summary: JULES AND JIM is Francois Truffaut's intense, beautiful, enigmatic film about the lifelong friendship between two writers--French novelist Jim (Henri Serre) and Austrian children's author Jules (Oskar Werner)--and their mutual love for the eccentric Catherine (Jeanne Moreau). With artful black-and-white imagery, the story begins in 1920s Paris when Jules and Jim first meet and become friends. As young single men, they gallavant about Paris, chasing women or studying ancient art, always animated, curious, and charming. When they meet the equally energetic Catherine, whose impulses range from dressing up as a man to taking midnight plunges into the Seine, their circle is complete. But when World War II erupts, with Jules and Jim fighting on opposite sides, everything changes. Jules marries Catherine before going off to battle. After the war, they settle into a quiet existence in the French countryside. But Catherine is restless and unfaithful. Jim reunites with his oldest and closest friends, and Catherine makes room for him in their house, asking him to move in and become her lover. Jim complies, as he wants nothing more than to please his friend Jules, who agrees to the plan. From there, the film's sweeping photography and wonderfully philosophical scripting tightens as the tale becomes even more complicated. Even its darkest moments, JULES AND JIM is movingly alluring as the friendship between the two men paints a meaningful portrait of human understanding and compassion. Like the similarly themed TWO ENGLISH GIRLS, Truffaut's film is based on a novel by Henri-Pierre Roche.

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François Truffaut's third feature, though it's named for the two best friends who become virtually inseparable in pre-World War I Paris, is centred on Jeanne Moreau's Catherine, the most mysterious, enigmatic woman in his career-long gallery of rich female portraits. Adapted from the novel by Henri-Pierre Roché, Truffaut's picture explores the 30-year friendship between Austrian biologist Jules (Oskar Werner) and Parisian writer Jim (Henri Serre) and the love triangle formed when the alluring Catherine makes the duo a trio. Spontaneous and lively, a woman of intense but dynamic emotions, she becomes the axle on which their friendship turns as Jules woos her and they marry, only to find that no one man can hold her. Directed in bursts of concentrated scenes interspersed with montage sequences and pulled together by the commentary of an omniscient narrator, Truffaut layers his tragic drama with a wealth of detail. He draws on his bag of New Wave tricks for the carefree days of youth--zooms, flash cuts, freeze frames--that disappear as the marriage disintegrates during the gloom of the postwar years. Werner is excellent as Jules, a vibrant young man whose slow, melancholy slide into emotional compromise is charted in his increasingly sad eyes and resigned face, while Serre plays Jim as more of an enigma, guarded and introspective. But both are eclipsed in the glare of Moreau's radiant Catherine: impulsive, demanding, sensual, passionate, destructive, and ultimately unknowable. A masterpiece of the French New Wave and one of Truffaut's most confident and accomplished films. --Sean Axmaker

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	French
Region:	Region 2
Special Features:	Introduction by Writer and Director Serge Toubiana, Truffaut Scene by Scene, Audio Commentary, Original Theatrical Trailer
Subtitles:	English
Year:	1962
Release Date:	September 25, 2006
Runtime:	102 minutes
Certification:
Catalogue Number:	C C D 30498
Keywords:	Jim, Romantic, Drama, Jules
Genre:	Drama