Stars: Naomi Watts, Adrien Brody, Jack Black, Colin Hanks, Kyle Chandler, Thomas Kretschmann, Andy Serkis

Director: Peter Jackson

Summary: A film crew travels to the mysterious Skull Island, find a giant gorilla named King Kong, and bring him back to 1930s New York City.

KING KONG is director Peter Jackson's sprawling, epic remake of Merian C. Cooper and Ernest B. Schoedsack's 1933 movie of the same name, and it sees a film crew travel to the mysterious Skull Island, picks up giant gorilla King Kong, and bring him back to 1930s New York City. Despite his origins as a low-budget filmmaker with a taste for the unsavoury side of life, Peter Jackson has turned into an event filmmaker someone who can conjure up a movie on a scale unlike anything we've seen before. Jackson expands on this basic premise by drawing on the jaw-dropping talents of his special effects team to satisfy his thirst for the grand spectacle. The movie posits Naomi Watts as Ann Darrow, the starry-eyed blonde beauty whom Kong falls for; Jack Black as Carl Denham, a low-rent Orson Welles look-alike who drags the crew to the island to make his movie; and Adrian Brody as Jack Driscoll, a hack playwright who battles Kong both physically and for Darrow's heart. As the men struggle against Kong and the lumbering dinosaurs of Skull Island, Andy Serkis, who made the character of Gollum so believable in the Lord of the Rings trilogy, steps in to form the facial features of the mighty gorilla, lending a real emotional sucker-punch to the scenes between Darrow and Kong. But it's the final third of the movie where Jackson really delivers; his 1930s New York is stunning, and when Kong breaks free from his shackles and stampedes on a lovelorn trek through the city, then iconically climbs the Empire State Building with his sweetheart, it's impossible to not be swept away by the sheer beauty and sadness of the moment. While its three-hour length may prove daunting to some, the payoff in Jackson's KING KONG is ultimately worth it, proving once again that he is a director of breathtaking vision.

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The extended version of Peter Jackson's King Kong adds 13 minutes to the running time--fortunately those 13 minutes include two dynamic action scenes and no material has been added to the movie's belaboured set-up, which tries to give depth to these quintessentially b-movie characters with a clumsy patchwork of melodrama and in-jokes. But once movie-maker Carl Denham (Jack Black, School of Rock) and his crew finally arrive at Skull Island, the movie kicks into gear with spectacular action, technical wizardry, and genuine feeling. Though Kong seems crafted to dazzle the eye on the giant screen, the overlong structure improves when you can take an intermission at will. At home, each scene can be approached on its own terms, be it the insanely choreographed battle between Kong and three T. Rexes or the subtle and multi-layered interplay between Ann Darrow (Naomi Watts, Mulholland Drive) and Kong (played, through motion-capture technology, by Andy Serkis, who previously played the similarly animated Gollum in Jackson's Lord of the Rings). The addition of a rampaging ceratops and an underwater race with what the movie's crew dubbed a "piranhadon" not only add more eye candy, but provide some valuable moments of character development. But in the end, that's frosting on the cake; when the movie's weaknesses and strengths are weighed, the emotional power of the fantastical relationship between a woman and a giant ape is a real cinematic achievement. --Bret Fetzer

Main Language:	English
Region:	Region 2
Year:	2005
Release Date:	November 13, 2006
Runtime:	179 minutes
Certification:
Catalogue Number:	8247135
Keywords:	Action, King, Kong, General, Adventure
Genre:	Action/Adventure