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One of the sweetest films to emerge from Europe in the 1990s, lain Berliner's Ma Vie en Roseis the story of an innocent little boy, Ludovic (played with non-cloying directness by Georges Du Fresne), who wants to be a girl. Convinced that he's the product of misplaced chromosomes (he imagines the mix-up in one of many delightful daydream sequences), he sets about righting the mistake by wearing dresses and high heels and experimenting with lipstick and makeup. The otherwise friendly suburban neighbourhood becomes horrified by the gender confusion, though tellingly the cruellest blows come not from the teasing classmates but intolerant adults: one scene recalls the torch-and-pitchfork angry villagers from a Frankenstein movie. Ludo tries hard to be butch but he can't deny his nature, especially when he meets a kindred spirit: a little girl who gladly trades her dress for his pants and shirt. This bittersweet mix of innocent fantasy and childhood cruelty has its moments of sadness and crushing misunderstandings but the overall tone is loving, filled with tenderness and culminating in acceptance and togetherness. As the family stumbles and struggles to come to terms with Ludo, they find something special within him, an innocent conviction so powerful and pure that it's infectious. Ludo may not grow up to become a girl as he hopes but his belief is so strong it's hard to deny him the possibility. This films reminds us that, to a child, anything is possible. --Sean Axmaker