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McCloud - Season 1 And 2 (Box Set)
McCloud - Season 1 And 2 (Box Set)
Stars: Dennis WeaverSummary: Deputy U.S. Marshal Sam McCloud of Taos, New Mexico is assigned to the New York Police Department. While there, his outsider outlook allows him to help solve numerous cases.
Deputy U.S. Marshal Sam McCloud of Taos, New Mexico is assigned to the New York Police Department. While there, his outsider outlook allows him to help solve numerous cases. As in Don Siegel's film COOGAN'S BLUFF, MCCLOUD focuses on the conflicts arising from a cowboy being in a big city and how he adapts to his surroundings.
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A viewer's favorite from the get-go, McCloud applied country-to-city humour to the popular police-series formula that exploded on TV networks in the early 1970s. To be sure, McCloud owed almost all of its success to the perfect casting of Dennis Weaver as Deputy Marshal Sam McCloud, of Taos, New Mexico, a good ol' boy crimefighter who spends the two-hour pilot ("Portrait of a Dead Girl") tracking a key witness who's escaped from his custody. This takes him to New York City, where the show's premise (involving McCloud's temporary assignment with Manhattan's 27th precinct, to "learn the methods of a large metropolitan police force") placed him at constant odds with his immediate superior, Chief Clifford (J.D. Cannon) as he partnered up with Sgt. Joe Broadhurst (Terry Carter, later on the original Battlestar Galactica) and pursued an on-and-off romance with Chris Coughlin (Diana Muldaur), a journalist who finds McCloud endlessly intriguing (not to mention newsworthy).
These characters are now far more appealing than the hoary plots that frequently found McCloud applying Southwest sleuthing to Big Apple crimes. Like McCloud himself, many of these 11 episodes are lanky and loose-jointed, and not quite as involving as nostalgic reverie might suggest. The first-season episodes are also the "condensed" versions, resulting from the subsequent combination (after their original broadcasts) of two original one-hour episodes into one 90-minute segment, hence the credits for two directors and two-layered plotlines in episodes like "Manhattan Manhunt," starring Richard Dawson as a Cockney-accented theater producer threatened by a would-be killer. (The second-season episodes are fully intact as originally shown.) And while the cost-cutting expediency of '70s TV production is painfully evident in cheesy process shots, blunt ADR recording, and oft-repeated stock footage, the tongue-in-cheek charm of McCloud remains fully intact, as Weaver adopts his signature line ("There ya go!") and commands his role with a gentleman's demeanor and a wry, fish-out-of-water perspective on big-city police work. --Jeff Shannon
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