Stars: Milla Jovovich, John Malkovich, Faye Dunaway, Dustin Hoffman, Tcheky Karyo, Timothy West, Richard Ridings, Timothy West, Vincent Cassel, Pascal Greggory, Desmond Harrington, Vincent Cassel, Andrew Birkin

Director: Luc Besson

Summary: Action master Besson takes on French history in this ambitious look at the legendary saint and martyr. Beginning with a young Joan witnessing her sister's rape and murder at the hands of brutal English soldiers, the film picks up years later when Joan (Jovovich) appears at the court of the French Dauphin (Malkovich), who is making little progress against his enemies. Joan's self-confidence and charisma induce the Dauphin to take a gamble by allowing her to lead troops, resulting in an upset victory at Orleans. However, Joan eventually outlives her usefulness to the French throne and is sold out to the English, who burn her for heresy. All the while, Joan struggles with her faith, exasperating the experienced French generals and having impassioned arguments with her imaginary 'Conscience' (Hoffman). Features several exciting medieval battle scenes.

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Over the years, many film directors have attempted to tell the story of legendary 15th-century heroine Joan of Arc, a simple country girl who claimed she was inspired by God to lead the French troops in a victorious assault on the mighty English army. Luc Besson's 1999 epic might not be the best version of her life, but it's certainly the biggest. The movie cost a reported $60 million. Even if you are terminally unimpressed by the scale of such recent blockbusters as Gladiator, your eyes will pop out at the sheer number of bodies (living and dead) that Besson has assembled for the dynamic battle scenes. The lavish sets and costumes are almost equally gobsmacking, though neither will show to maximum advantage on the small screen. That's a pity because size is the only thing Joan of Arcreally has going for it--as a human drama, it falls completely flat.

The historical Joan was eventually made a saint by the Catholic Church, and earlier biopics tended to treat her celestial visions as literal fact. It was probably a mistake for Besson and his co-screenwriter Andrew Birkin to take a more psychological approach and present them as figments of her hysterical imagination. It makes it hard to work up the necessary empathy when the spectacle revolves around a confused and neurotic babe who couldn't organise a Tupperware party, let alone a vast military campaign. Milla Jovovich (the star of Besson's previous The Fifth Elementand formerly his wife) doesn't help matters with her shrill and amateurish performance. But a couple of the supporting players are passably amusing--John Malkovich camps it up energetically as Charles, the dispossessed French king whom Joan reinstates, while Faye Dunaway wears outlandish headgear and carries on like a science-fiction creation in the role of his scheming mother-in-law. (The less said the better about Dustin Hoffman's pompous turn as Joan's personified conscience.) Besson keeps to the same glossy visual style even when the Maid is burning at the stake, but it isn't enough to prevent this empty shell of a movie from being a colossal yawn. --Peter Matthews

Aspect Ratio:	2.35 Wide Screen, 16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Special Features:	Filmographies, Isolated Score, Making Of Featurette, Teaser Trailer, Trailer
Subtitles:	Arabic, Bulgarian, Croatian, Czech, Danish, Dutch, English, Finnish, German, Greek, Hebrew, Hindi, Hungarian, Icelandic, Norwegian, Polish, Swedish, Turkish
Year:	1999
Release Date:	August 1, 2005
Runtime:	155 minutes
Certification:
Catalogue Number:	C 823 618 5
Keywords:	General, Messenger, Wide, Screen, Joan, Arc, Drama, Historical
Genre:	Drama