Stars: Max Schreck, Gustav Von Wangenheim, Greta Schroeder, Alexander Granach

Director: F.W. Murnau

Summary: The full-length version of the silent horror classic complete with tinting and toning as in the nitrate original plus a new music score by James Bernard.

F.W. Murnau's silent classic is the original, and some say scariest, DRACULA adaptation, taking Bram Stoker's novel and turning it into a haunting, shadowy dream of German Expressionist horror and dread. Count Orlok, the rodentlike vampire frighteningly portrayed by Max Schreck, is perhaps the most animalistic screen portrayal of a vampire ever filmed. The design was copied by Werner Herzog in his 1979 remake and by Tobe Hooper for his telefilm of Stephen King's SALEM'S LOT that same year. Names had to be changed from the novel when Stoker's wife charged his novel was being filmed without proper permission. Charged with now-legendary cinematic imagery, NOSFERATU is a landmark of the horror genre that should not be missed.

WIN DVDs by rating this DVD

Average User Rating:

WIN DVDS by being amongst the first to review this DVD. Reviewing DVDs earns you bonus entries and lets you WIN DVDs!Please login before reviewing this DVD. If you're a new user, register for free and enter to WIN FREE DVDs!

"Nosferatu ... the name alone can chill the blood!". F.W. Murnau's Nosferatu, released in 1922, was the first (albeit unofficial) screen adaptation of Bram Stoker's Dracula. Nearly 80 years on, it remains among the most potent and disturbing horror films ever made. The sight of Max Schreck's hollow-eyed, cadaverous vampire rising creakily from his coffin still has the ability to chill the blood. Nor has the film dated. Murnau's elision of sex and disease lends it a surprisingly contemporary resonance. The director and his screenwriter Henrik Gaalen are true to the source material, but where most subsequent screen Draculas (whether Bela Lugosi, Christopher Lee, Frank Langella or Gary Oldman) were portrayed as cultured and aristocratic, Nosferatu is verminous and evil. (Whenever he appears, rats follow in his wake.)

The film's full title--Nosferatu, eine Symphonie des Grauens(Nosferatu, A Symphony of Horror)--reveals something of Murnau's intentions. Supremely stylised, it differs from Robert Wiene's The Cabinet of Dr Caligari(1919) or Ernst Lubitsch's films of the period in that it was not shot entirely in the studio. Murnau went out on location in his native Westphalia. As a counterpoint to the nightmarish world inhabited by Nosferatu, he used imagery of hills, clouds, trees and mountains (it is, after all, sunlight that destroys the vampire). It's not hard to spot the similarity between the gangsters in film noirhugging doorways or creeping up staircases with the image of Schreck's diabolic Nosferatu, bathed in shadow, sidling his way toward a new victim. Heavy chiaroscuro, oblique camera angles and jarring close-ups--the devices that crank up the tension in Val Lewton horror movies and edgy, urban thrillers such as Double Indemnityand The Postman Always Rings Twice--were all to be found first in Murnau's chilling masterpiece. --Geoffrey Macnab

On the DVD: This two-disc set gives you the choice of watching Nosferatuin either a sepia-tinted version or the original black &white. Both, however, feature the same modern electronic music score by Art Zoyd (at the movie's lavish 1922 premiere a live orchestra performed a newly composed, quasi-Wagnerian score by Hans Erdmann). The anonymous commentary track is a scholarly critical appraisal of the movie that exhaustively documents every aspect of it, from Murnau's aesthetic use of framing devices to the homoerotic subtext of the Hutter-Orlock relationship. In the "Nosferatour" featurette the movie's locations (principally, the Baltic cities of Wismer and Lubeck) are shown as they are today, and there is also a look at the original artwork that served as Murnau's inspiration. Two text features provide a brief history of the vampire myth from Vlad the Impaler onwards, as well as a discussion of the controversy caused by the movie's release. Appropriately, a trailer for the John Malkovich-Willem Dafoe movie Shadow of the Vampire, which imagines that "Max Schreck" actually wasa vampire employed by Murnau in his obsessive pursuit of verisimilitude, is also included. --Mark Walker

Aspect Ratio:	1.33 Full Screen
Region:	Region 2
Special Features:	Video Essay By Christopher Frayling, Biographies, Essay On Restoration Of Film
Subtitles:	English
Year:	1922
Release Date:	January 21, 2002
Runtime:	113 minutes
Certification:
Catalogue Number:	B F I V D 520
Keywords:	General, Silent, Nosferatu, Horror, Occult, Tinted, Sci, Fi
Genre:	Horror/Occult