Stars: John Gielgud, Kenneth More, John Clements, Ian Holm, Ralph Richardson, John Mills, David Lodge, Maggie Smith, Dirk Bogarde, Phyllis Calvert, Jean-Pierre Cassell, Laurence Olivier, Vanessa Redgrave

Director: Richard Attenborough

Summary: Richard Attenborough's directorial debut OH! WHAT A LOVELY WAR is a riotous, thought-provoking satire on the follies of war, based on the stage musical of the same name. Set during World War I, the story revolves around the Smith family, whose five sons enlist in the army only to end up as cannon fodder. Told through the words and music of soldiers' marching songs, the harsh reality of war is offset by a distinctly irreverent British humour. And who said war had to be depressing?

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It's a product of its Vietnam era just as surely as Robert Altman's M*A*S*H, and like that film Oh! What a Lovely Waris ostensibly about a different war. Based on a celebrated anti-war stage piece produced by Joan Littlewood's Theatre Workshop, the film chronicles the various madnesses of the First World War. Along with vignettes involving the members of the fictional Smith family, the movie lands its punches with a two-pronged attack: by using the songs of the war, mostly patriotic; and by using the real-life words of various figures from WWI. You can see how this would have fit a stylised stage show; in the more literal, realistic realm of film, it mostly comes across as heavy-handed pretentiousness. Richard Attenborough, who would later explore the lives of Gandhi and Chaplin, first made his way to the director's chair here, and he enlisted a staggering who's who of his fellow British actors for roles in the large ensemble: Olivier, Gielgud, and Richardson among them. John Mills plays the most bull-headed of the generals, blithely measuring out yards of territory gained by the thousands of casualties involved. The songs are a historically fascinating lot, mostly given an ironic or sinister treatment in this incarnation, as jolly patriotic tunes that mask the utter carnage at the front. Among the high points is Maggie Smith singing (well, declaiming) an ode to recruitment, promising war as a grand adventure. The blending of arch content with Attenborough's realistic staging of trench warfare just doesn't take, but what does hit home are the actual quotes and the statistics of killing; World War I set a bloody standard for sheer, blind slaughter. --Robert Horton

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Special Features:	Director's commentary, 3-part documentary: Welcome To World War One/The Smith Family Album/Keep The Home Fires Burning
Year:	1969
Release Date:	October 30, 2006
Runtime:	138 minutes
Certification:
Catalogue Number:	P H E 8975
Keywords:	Special, Music, World, War, One, Songs, Edition, Collectors, Military, What, Lovely, Drama, Historical, Oh, Satire
Genre:	Drama