Stars: Johnathon Schaech, Steve Harris, Jennifer Carpenter, Greg Germann, Columbus Short, Rade Serbedzija, Jay Hernandez, Dania Ramirez

Director: John Erick Dowdle

Summary: Fans of the handheld camerawork of CLOVERFIELD and THE BLAIR WITCH PROJECT will find much to like in this remake of Spanish film REC. Jennifer Carpenter (DEXTER) stars as a TV journalist who finds herself far too close to the action of her latest story. When she and her cameraman (Steve Harris, THE PRACTICE) start filming an 'average' incident at an apartment building, they realize that one of the building's tenants is the victim of a horrific contagious disease and quarantine will keep them from escaping.

A faithful adaptation of the 2007 Spanish film REC, QUARANTINE chronicles the outbreak of a rabies-like disease in a Los Angeles apartment building and the struggle of the unaffected residents to stay alive after the authorities trap them inside in an effort to contain it. Equal parts BLAIR WITCH PROJECT and 28 DAYS LATER, the film is presented through the eye of a video camera, putting the audience in the middle of the action and creating a heightened level of intensity and realism. Television reporter Angela (Jennifer Carpenter) and her cameraman, Scott (Steve Harris), are covering the goings-on at a firehouse for a program about night shift workers. As she clowns around with two flirty firemen (Jonathan Schaech and Jay Hernandez), an alarm sounds, and a truck is dispatched--with Angela and Scott on board---to an apartment building where an old woman has seemingly lost her mind. The woman bites one of the firemen and is soon killed, but when more tenants turn up with the same disorder, it's clear that a chain reaction is occurring. Unfortunately for Angela and the rest of the uninfected residents, the authorities have quarantined the building---but she and Scott continue to document the tragic and terrifying events inside the building as those inside are one by one transformed into bloodthirsty monsters.


Director John Eric Dowdle, whose film THE POUGHKEEPSIE TAPES also used a pseudo-documentary approach in detailing the crimes of a serial killer, creates a sustained level of chaos and fear that will have all but the most seasoned horror fan cowering in the corner. Though the shaky camerawork may be a bit difficult to take for those prone to motion sickness, it--along with a complete absence of music--gives the film a startling realism and immediacy to accompany its stomach-churning descent into full-on hopelessness and dread.

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Loud, violent, and proudly derivative, the post-apocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favourite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by Bob Hoskins) to infiltrate Scotland, which has descended into anarchy following a viral outbreak. The disease has surfaced in London (now a walled city), and Mitra is dispatched to find a scientist who may possess a cure. Marshall's vision of Scotland in ruins brings together the punk/modern primitive costume design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region B
Special Features:	Making-of, Behind-the-scenes, Commentary with writer/director and writer/producer
Subtitles:	Croatian, Icelandic, Lithuanian, Romanian, Slovene, Hebrew, Slovak, Estonian, Greek, Hindi, Czech, Serbian, Hungarian, Bulgarian, English, Arabic, Turkish, Polish
Year:	2008
Release Date:	March 9, 2009
Runtime:	89 minutes
Certification:
Catalogue Number:	S B R 51555
Keywords:	English, General, Quarantine, Horror, Occult
Genre:	Horror/Occult