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Rare Breed/Shenandoah, The
Rare Breed/Shenandoah, The
Stars: James Stewart, Maureen O'Hara, Brian Keith, Rosemary Forsyth, Doug McClureDirector: Andrew V. McLaglen
Summary: Features the James Stewart westerns THE RARE BREED and SHENANDOAH.
Features the James Stewart westerns THE RARE BREED and SHENANDOAH. In THE RARE BREED, a widow and her daughter enlist the help of a Sam 'Bulldog' Burnett to realise the dream of her late husband: to introduce Hereford cattle into the American West. However, the road to Texas is riddled with dangers - including those who would like to get their hands on the rare breed. In SHENANDOAH, peace-loving Southern farmer tries to stay neutral during the American Civil War, but he is drawn into conflict when his son is captured.
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The Rare Breed
A very offbeat subject gives this Western its beefy flavour: English lady Maureen O'Hara brings a prize Hereford bull to the Wild West, where she plans to introduce its hardy bloodline into longhorn country. Cattle puncher James Stewart finds the idea suspect, but he likes this redhead, so he manages to tag along through stampede, gunfight, and blizzard. Director Andrew V. McLaglen generally steers a pleasing course, although the movie occasionally stumbles between brawling comedy and western drama. One stunt sequence, a run of longhorns through a desert canyon, qualifies as a hair-raiser. Brian Keith, wearing a gigantic red beard, does a Scots accent as a cattle baron, and veteran cowhands Ben Johnson and Jack Elam are around to lend atmosphere. The big bull's name is Vindicator, and he obeys whenever Juliet Mills whistles "God Save the Queen"--did we mention this is a very offbeat subject for a Western? --Robert Horton
Shenandoah
Shenandoah, a film well-liked in its day, recalls Friendly Persuasion and foreshadows The Patriot as it tells of an American clan traumatized by war on native soil. Virginia farmer James Stewart has never owned slaves, owes allegiance to no one beyond his own kin, and adamantly disregards the North-South strife rumbling just over the hill: "This war is not mine and I take no note of it." That changes when youngest son Philip Alford (To Kill a Mockingbird's Jem) is carried off by Yankees, and the family must ride out to reclaim him. Shenandoah has several affecting moments--notably a homefront atrocity--but much of it is lit and played like a television show. Script and direction are formulaic, Stewart falls back on cozy shtick, and the supporting cast is a collection of bland studio contract players. As the closing credit says: "filmed entirely at Universal City." --Richard T. Jameson
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