Director: Christian Volckman

Summary: Set in mid 21st century Paris, RENAISSANCE sees the brilliant young researcher Ilona Tassueiv kidnapped. Her employers at the gargantuan multinational company Avalon call for hostage retrieval specialist Officer Bartholomew Karas to take charge of the case.

Set in mid 21st century Paris, RENAISSANCE sees the brilliant young researcher Ilona Tassueiv kidnapped. Her employers at the gargantuan multinational company Avalon call for hostage retrieval specialist Officer Bartholomew Karas to take charge of the case. Karas digs deep into the Parisian underbelly to find information about the kidnapping. However, things are not as they seem and Karas is forced to question the motives of everyone. The animated film noir has a distinctive and highly impressive visual style. The live action footage has been digitally rendered, leading to an exceptional level of realism. With a similar look to SIN CITY, RENAISSANCE succeeds in making the Paris of 2054 look a dark and menacing place--perfectly suiting the film noir style of the production--and creating an animated film that looks a lot like a live action film.

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Style trumps substance in Renaissance, a 2006 French film whose breathtaking visuals largely overcome its shortcomings in the areas of story and character development. Detailed in a lengthy and absorbing "making of" featurette, the film's look is a combination of CG animation, motion capture, and a palette consisting solely of black & white (there are a few splashes of color late in the proceedings, but no gray whatsoever). And while it has a few obvious antecedents (the filmmakers readily acknowledge the influence of Ridley Scott's Blade Runner, not to mention the much earlier, Expressionist work of Fritz Lang and Orson Welles), Renaissance, with its commingling of heavily processed live action and graphic novel sensibilities, looks very little like anything you've ever seen before. The setting is Paris in the year 2054, and it is here that director Christian Volckman and his crew do their best work.

The French capital is certainly recognisable (the Eiffel Tower and Montmartre's Sacre Coeur are two familiar landmarks), but its classic architecture is glazed with all manner of futuristic touches, from vast glass penthouses to layers of transparent walkways outside Notre Dame Cathedral; and with the preponderance of the action taking place at night, frequently in the rain, the City of Light more often suggests a very literal representation of film noir. As for the story, it's nothing special. Hard-nosed police Captain Barthélémy Karas (voiced in this English version by Daniel Craig) is searching for a female scientist who works for Avalon, one of those sinister mega-corporations that seem to run everything in movies like this; seems the woman, who has been kidnapped, possesses what's referred to as "the protocol for immortality," and Avalon, which promises good health, beauty, and long life for all, desperately wants her back. The characters are a bit stiff (physically and otherwise), the dialogue is occasionally stilted, and the film is sometimes so dark that it's hard to tell what's going on. But most of Renaissance looks so amazing that such deficiencies can easily be ignored, at least the first time through. --Sam Graham

Aspect Ratio:	2.35 Wide Screen
Main Language:	English
Region:	Region 2
Special Features:	MAAZ - Short film directed by Christian Volckman , Making Of featurette ,
Subtitles:	English
Year:	2006
Release Date:	November 27, 2006
Runtime:	105 minutes
Certification:
Catalogue Number:	P 920401000
Keywords:	Animated, General, Drama, Renaissance
Genre:	Drama