Stars: Sarah Michelle Gellar, Peter O'Brien, Sam Shepard, Kate Beahan, Adam Scott, Darrian McClanahan

Director: Asif Kapadia

Summary: Joanna Mills works as a successful saleswoman in the trucking industry. She pushes hard to go after a big deal in Texas, even though she had previously deemed the state off limits--an event from her childhood has kept her away from her hometown for many years. Filled with fear, trepidation, and determination, she goes back to Texas...

In 2001 British director Asif Kapadia's debut feature, THE WARRIOR, a lyrical, beautiful movie set in the Himalayas, was named Best British Film at the BAFTA Awards. For his second film, Kapadia headed to Hollywood for the suspenseful horror film THE RETURN, written by first-time screenwriter Adam Sussman. Sarah Michelle Gellar stars as Joanna Mills, an aggressive young woman who works as a successful saleswoman in the trucking industry. She pushes hard to go after a big deal in Texas, even though she had previously deemed the state off limits--an event from her childhood has kept her away from her hometown for many years. Filled with fear, trepidation, and determination, she goes back to Texas, even visiting her estranged father (Sam Shepard). As she sees familiar places, she has frightening flashes of deja vu, remembering bits and pieces of a tragic incident involving an ex-con (Peter O'Brien), an unseen man, and a bad traffic accident. The visions haunt her dreams, sending her back to her childhood (where she's played by Darrian McClanahan). Reunited with an old friend (Kate Beahan), Joanna tries to move forward, but her unfinished past keeps dragging her back. Kapadia keeps things at a slow, suspenseful pace, every scene adding another piece of the plot--as well as a touch more mystery. Gellar, who has also starred in such horror films as THE GRUDGE, I KNOW WHAT YOU DID LAST SUMMER, and SCREAM 2, plays Joanna with an involving sense of dread that is echoed by Dario Marianelli's score.

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The Return is a drowsy, mildly creepy and unexpectedly well-crafted supernatural thriller that lays off the cheap thrill and gore factor in favor of the slow build up to fright and a twist ending that, while effective, may hit viewers as mostly out of left field. The Sixth Sense it ain't, but there's enough texture, style and ladled-on art direction to keep the eeriness palpable even through some of the more labored dialogue and plot contrivances. A chocolate-haired Sarah Michelle Gellar (what was wrong with her natural goldilocks?) plays Joanna Mills, some sort of traveling sales rep in a big pickup truck who journeys from her nightmare-disturbed life in St. Louis back to a small town in Texas that she sort-of remembers. Demons from the girlhood she once knew there come fiendishly together in a mishmash of flashbacks and present-day creep-outs involving murder, self-mutilation and spirits that have haunted her more than she knows. Gellar has become a go-to for glossy Hollywood horrorshows like this, thanks to her work in the Grudge franchise and the remnants of our memories from her Buffy glory days.

In spite of the handful of slipshod faults in story and directorial force, she holds her own against the vibrantly dilapidated set decorations along with a variety of other equally important characters. There's a creepy ex-boyfriend, a disgusting being stalking a phantom woman she recognises from her psychosis-induced visions, and a hunky guy who's facing down mysteries from his own past. (Do they all intersect? Hmmm...) She even stands her ground against Sam Shepard, who is all but slumming it in his few scenes as her dad. He talks about an incident that forever changed her when she was 11 years old, but his weird allusions are as enigmatic as the film itself, which desperately wants to be better than it is. But The Return still carries its share of respectable fears that are made scarier by the effectively edited string of spooky noises and images. Together they add up to make a worthy entrant in the genre of understated ghost story. --Ted Fry

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Special Features:	Interactive menu
Year:	2006
Release Date:	May 21, 2007
Runtime:	83 minutes
Certification:
Catalogue Number:	8248717
Keywords:	English, Return, Horror, Occult
Genre:	Horror/Occult