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Scorpio
Scorpio
Stars: Burt Lancaster, Alain Delon, Paul Scofield, Gayle HunnicuttDirector: Michael Winner
Summary: The story of an ageing C.I.A. agent in a hair-raising game of cat-and-mouse, which provides a fascinating glimpse into the world of the professional spy.
Burt Lancaster stars as Cross, a US intelligence veteran whose CIA chief McLeod (John Colicos) has marked him for termination. On the run from the assassin, the old spy takes refuge with his Soviet counterpart--a retired KGB operative, Zharkov (Paul Scofield). That action only makes matters worse, however, by confirming the chief's suspicions that Cross is betraying America and working with the Russians. Together with Zharkov, Cross must outwit the assassin and clear his name.
SCORPIO is a highly underrated spy classic. Directed by Michael Winner (DEATH WISH, THE MECHANIC), it features a plethora of high speed chases and machine gun show downs.
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Though not quite a classic, director Michael Winner's Scorpiois still an underrated espionage thriller that was well attuned to the political cynicism of its time. Burt Lancaster plays Cross, a CIA operative who dates back to the agency's earliest days as the OSS. Scorpio (Alain Delon) is a protégé of Cross, and one of Cross's best friends in a netherworld where everyone's allegiances, personal and political, are in question. Higher-ups within the intelligence agency decide that Cross knows too much and is better off eliminated; at first, Scorpio refuses the job until the CIA frames him on a phoney narcotics bust and coerces him into the assignment. The two men play a game of global cat-and-mouse as Cross consorts with his Russian counterparts--fellow ageing dinosaurs in a young man's game. Cross's links with the Russians go back to the days of the Spanish Civil War and the time when Cross was given the ironic label of "premature anti-Fascist" by the House Unamerican Activities Committee.
The incredibly convoluted plot is rife with double-crosses and reverse double-crosses, in an environment in which nothing is quite as it seems and no one is to be trusted. Winner infuses enough energy and excitement into the film's many action segments to make Scorpioworthy of comparison to John Frankenheimer's best political thrillers. The director also throws in several curveballs, such as the zither music during a meeting in a Vienna café (shades of The Third Man) and the preposterous device of disguising Lancaster as an African-American priest. The best line must be "I want Cross, and I want him burned!" --Jerry Renshaw
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