Welcome to DVD-Movie-Sale.co.uk!
DVD Movie Sale is a comprehensive DVD site where you can search for any movie by genre, film title, actors name or director. Complete with full film information & synopsis as well as being able to compare prices for your favourite DVD from leading retail stores. You even have the opportunity to include your personal film reviews or give your personal ratings with numerous chances to win dvd related prizes.
WIN DVDS by being amongst the first to review this DVD. Reviewing DVDs earns you bonus entries and lets you WIN DVDs!Please login before reviewing this DVD. If you're a new user, register for free and enter to WIN FREE DVDs!
Even when it misses a dramatic opportunity in favour of generic action, Set It Offbenefits from a sharp understanding of its well-drawn central characters. They are a quartet of young African American women in Los Angeles (Jada Pinkett, Queen Latifah, Vivica A. Fox, Kimberly Elise), all struggling against a system that seems designed to prevent them from realising their dreams. The movie establishes their plight with credible attention to emotional detail, making their decision to rob banks believable enough to give the ensuing plot its inevitably tragic momentum. Co-written by the screenwriter of What's Love Got to Do With It?, the film conveys genuine compassion for its characters, and the ensemble cast is uniformly strong--especially Queen Latifah as a brash lesbian whose fate is as certain as her forceful attitude.
Set It Offexpresses a real sense that these women have been close friends for years, and that gives the film additional impact, even when their transition to crime and violence feels somewhat forced and superficial. A romantic subplot involving Pinkett and a social-climbing banker (Blair Underwood) is too contrived to be convincing, and director F. Gary Gray (Friday) tries too hard to combine hard-hitting action with social relevance (a weakness shared by Gray's following film, The Negotiator). Still, Set It Offeffectively avoids passing judgement; its emotional complexity transcends simple notions of right and wrong, injecting vitality--and a kind of renegade integrity--into the traditions of a familiar plot. --Jeff Shannon