Stars: Scott Speedman, Laura Margolis, Liv Tyler, Glenn Howerton, Kip Weeks, Gemma Ward

Director: Bryan Bertino

Summary: For his film debut, director Brian Bertino has crafted a fantastically creepy horror flick based on the very simple premise of strangers who come knocking late at night. Kristen (Liv Tyler) and James (Scott Speedman) have arrived at a secluded vacation home in the woods after attending a friend's wedding. It's four in the morning, and they're both tearful and emotionally exhausted after a disagreement about their relationship. As they awkwardly try to navigate the long night together, they are distracted by the sound of a heavy knock at the door. They open it to find a dazed young woman hidden in the shadows. Assuming she is lost, James sends her away, but Kristen is disturbed by the late-night visit. When James leaves to go on a drive and pick up some cigarettes, Kristen is left alone, and we watch her move through the huge house in a painfully eerie silence, all the while knowing that she is being watched. By the time James returns, Kristen is in hysterics, and together they must face the terrifying fact that they are indeed in grave danger.

For his film debut, director Brian Bertino has crafted a fantastically creepy horror flick based on the very simple premise of strangers who come knocking late at night. Kristen (Liv Tyler) and James (Scott Speedman) have arrived at a secluded vacation home in the woods after attending a friend's wedding. It's four in the morning, and they're both tearful and emotionally exhausted after a disagreement about their relationship. As they awkwardly try to navigate the long night together, they are distracted by the sound of a heavy knock at the door. They open it to find a dazed young woman hidden in the shadows. Assuming she is lost, James sends her away, but Kristen is disturbed by the late-night visit. When James leaves to go on a drive and pick up some cigarettes, Kristen is left alone, and we watch her move through the huge house in a painfully eerie silence, all the while knowing that she is being watched. By the time James returns, Kristen is in hysterics, and together they must face the terrifying fact that they are indeed in grave danger.


Both Tyler and Speedman give excellent, understated performances that lend the film a truly frightening edge of realism. The story's simplicity is a refreshing change from over-the-top torture films like SAW, and the violence in the film is minimal, and much of it off camera. THE STRANGERS also lacks any big-budget special effects. You won't find any CGI creatures or armies of zombies. The only monsters depicted here are the very real human kind, which is what leaves you thoroughly spooked and shaken, and ready to push a chair against your own front door.

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Much was written about Will Ferrell's first "dramatic role" as Harold Crick, an IRS auditor who begins hearing a voice narrating his life. But Stranger Than Fiction is hardly a drama. However, what Ferrell does--like Jim Carrey before him in The Truman Show--is handle a toned-down character with genuineness and affection: you believe he is this guy. Crick leads a lonely life filled with numbers and routines. While at first he considers the voice a nuisance, Crick decides more action is needed when it speaks of "his demise." Enter Professor Jules Hilbert (Dustin Hoffman), who takes on the absurd notion with revelry, trying to find out what kind of book Crick's life is leading. It turns out that the voice Crick is hearing belongs to Kay Eiffel (Emma Thompson), a very real--and troubled--author who is writing a book in which Crick is a fictional character. As usual with these things, the stuffed shirt learns to live a better life--Crick even falls for one of his audits, a brash baker named Ana (Maggie Gyllenhaal). Marc Foster (Monster's Ball, Finding Neverland) has the right tone for the film, using great urban scenes (the unnamed city is Chicago) with interesting visualisations of Crick's world of numbers. He also directs Ferrell, Hoffman, and Gyllenhaal to their most charming performances (plus Linda Hunt and Tom Hulce pop up in two funny scenes). Ferrell succeeds in being a romantic lead you can root for; a scene where he eats Ana's freshly baked cookies is totally delightful without a hint of sarcasm. Screenwriter Zach Helm has two personal traits with his story: like Crick he followed his heart (he stopped rewriting scripts and only worked on his own) and like Eiffel, the final results are not a masterpiece, but good, and entertaining enough. Britt Daniel of the band Spoon worked on the dynamite soundtrack. --Doug Thomas

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Special Features:	Deleted scenes, Element of Terror
Year:	2008
Release Date:	December 26, 2008
Runtime:	82 minutes
Certification:
Catalogue Number:	8253512
Keywords:	English, General, Strangers, Horror, Occult
Genre:	Horror/Occult