Stars: Jim Caviezel, Jeremy Sisto, Bridget Moynahan, Joe Pantoliano, Chris Mulkey, Peter Stormare, Greg Kinnear, Barry Pepper

Director: Simon Brand

Summary: Five men awaken in a warehouse with no way out and no recollection of how they got there, only to struggle with their suspicion of each other as they try to piece together their story from available clues.

Five men awaken in a warehouse with no way out and no recollection of how they got there, only to struggle with their suspicion of each other as they try to piece together their story from available clues. One (Greg Kinnear) has a broken nose, while another (Jeremy Sisto) is handcuffed to a pipe and slowly dying from a gunshot wound. Two (Barry Pepper and Jim Caviezel) are unhurt, while the fifth (Joe Pantoliano) is tied to a chair--which is how the group wish to keep him until they figure out why he got that way. Meanwhile, the police are tracking a sinister man in snakeskin boots (Peter Stormare) with a connection to the group, and a worried wife (Bridget Moynihan) of one of the men searches desperately for her husband. But will the men kill each other out of suspicion before finding a way out of the warehouse?

The second half of the '90s saw a spate of neo-noirs inspired by Tarantino’s supercharged RESERVOIR DOGS. Christopher Nolan’s MEMENTO (2000), though in obvious debt to Tarantino, was a breathtakingly new shot in the arm for the genre. Simon Brand’s UNKNOWN is a brainy and verbose melding of the two. Making its low budget work in its favor, the script could easily be performed on a stage, as the locations number in the low single digits. Though many young pulp-drunk post-Tarantino directors have toyed with non-linear narratives, Matthew Waynee’s script doesn’t make the device seem rote or overindulgent. Also a small, strong cast led by Caviezel, Kinnear, and Pepper ensure this solid thriller isn't just another entry in the tough-guy crime stakes.

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Musicians have long proven to be a well of inspiration for film makers, and so it proves again with director Anton Corbjn’s telling of the story of Ian Curtis and Joy Division, Control.

Based on the book of the same name, the first of Control’s many successes is to make prior knowledge of the subject matter unnecessary. And while music is an important part of the film, the movie ultimately focuses in on the relationship between Curtis and his wife, Deborah. It’s a moving and emotional rollercoaster, and one realised with exceptional skill and grace by Sam Riley and the ever-astonishing Samantha Morton in the lead acting roles. The former is someone very much to watch, the latter is surely long overdue an Oscar.

Credit too must go to director Corbjn, though, who builds up Control with diligence and discipline. He shapes a musical biopic that distinguishes itself from its numerous contemporaries, and while it perhaps doesn’t spend enough time with the Joy Division side of the story, it’s a film that’s otherwise hard to fault.

Control, ultimately, not only managed to sidestep many of the contrivances of the genre, but it also offers a raw, electric and emotional experience, and proved to be one of 2007’s finest films. Don’t miss it. --Jon Foster

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Year:	2006
Release Date:	August 6, 2007
Runtime:	82 minutes
Certification:
Catalogue Number:	O P T D 1015
Keywords:	English, General, Unknown, Thriller
Genre:	Thriller